Kathāmṛta - 31 - Caturdārikā-lambaka - Story of Fraudsters Śiva and Mādhava

This article is part 31 of 133 in the series Kathāmṛta

Early next morning Śiva came to the maṭha. Mādhava hailed a messenger in the morning and ordered him – “Take this pair of clothes, hand it over to the rāja-purohita Śaṅkara-svāmī and tell him, ‘A prince named Mādhava, having been defeated by his cousins, has come from the Dakṣiṇāpatha, bringing along with him the immense wealth that once belonged to his father. There are other men of royal birth who have come with him as well. He to serve his highness. Therefore, he expresses his ardent desire to meet you.’ Speak these words with great courtesy!” Having been ordered thus, the messenger carried out his task.

Looking at the gift offered to him, the purohita at once believed his words. Dāna alone is the medicine that will attract one with great aspiration! The next day, Mādhava dressed up like a prince and made his lackies don the clothes of regal attendants. Holding the royal insignia and other emblems, he went with his retinue to the purohita’s house. He got up at once and welcomed the ‘prince’ Mādhava, who spoke with him for a while before returning to his own residence. The next morning, he made a gift of another pair of clothes to the purohita and then went to meet him. He said, “I desire to serve the king. Therefore, I have taken refuge in you. I don’t have a deficit of money!" Having heard these words, the purohita was overcome by greed for wealth and promptly reported the matter to the king. The king consented. In the late afternoon, the purohita escorted Mādhava and his retinue to the king and introduced him with great respect. The king too fell for his expensive garments, offered him immense honour, and created an official position for him in the vicinity of the throne. From then on, his business during the day would be with the king and at night, strategizing and planning along with Śiva.

 In due course, desirous of great wealth, the purohita made Mādhava a permanent guest in his house. It was like a tree giving shelter to a bandicoot in its roots. Mādhava brought a treasure chest filled with artificial gems and jewellery and had it placed in the purohita’s room for safekeeping. On some pretext, Mādhava would open the treasure chest and every time the purohita ogled at it with his mouth wide open like a cow looking at green grass. After trust had been firmly established, Mādhava reduced his intake of food and water, step by step, and soon pretended to be unwell and bed-ridden. One day, he called the purohita and said, “The condition of my body has worsened. Therefore, I wish to invite a brāhmaṇa and donate all my wealth. Owing to that, let me attain sadgati here and hereafter! What’s the use of wealth with such fragile health?” Saying so, he bowed down to the purohita’s feet and offered his salutations. But whichever brāhmaṇa the purohita would bring, Mādhava would reject him saying, “Isn’t there a brāhmaṇa superior to this one?” Looking at that, one of his crafty lackeys who was nearby told the purohita, “He won’t accept ordinary brāhmaṇas. If you can invite a Śiva-tapasvī from the banks of the Siprā river, then he might give his approval!” At that, Mādhava said, “Yes, that will work. They are truly without peer!” The purohita went to Śiva, who was deep in japa with his eyes closed. Offering his salutations, the purohita said with great courtesy, “Svamī! If your venerable self will not get angry then I wish to make a request.” In response, Śiva simply moved his lips without uttering a word. Deeming that to be a grant of permission, the purohita said, “There is a rich prince named Mādhava who has come here from dakṣiṇa-deśa. Afflicted by ill-health, he has decided to donate all his wealth. If your kind self will consent to it, he shall then give you as dāna all the invaluable gems and jewellery that he has in his possession!” Slowly, Śiva gave up his vow of silence and said, “O brāhmaṇa! What is the use of all that for someone like me, who is a brahmacārī living on alms?”

The purohita replied saying, “Why do you say so? Even married people who adhere to their dharma of serving the deities, ancestors, and guests will attain mokṣa. Gṛhasthāśrama (being a householder) is indeed the best among all the āśramas!” Śiva replied, “How would I get married? I won’t marry anyone who isn’t from a good background.” Listening to that, thinking all the money will finally come to him, that greedy purohita replied, “If that is your concern, I have a daughter named Vinayasvāminī who is beautiful. I’ll give her to you in marriage. You can accept charity from Mādhava and I’ll take care of the rest!” Śiva replied, “If this is indeed your decision and if you are adamant, I’ll follow it! But I don’t know anything when it comes to handling money. I’m an ascetic. I’ll just follow your words. You can handle those things as you please!” The purohita concurred and gave his daughter to him in marriage whom he had brought up going through great difficulties.

The next day Śiva was taken to Mādhava who prostrated before him and gave away everything he had in his treasury as dāna to Śiva. After receiving it, Śiva gave it to the purohita saying, “I have no idea how to handle these things! Please take care of these.” The purohita replied, “Had I not told you earlier that I shall handle them! I’ll take care of it,’ and added everything to his own coffers. He also got his daughter married to the Śiva and it was like losing hard earned wealth out of foolishness. Mādhava meanwhile pretended to be able to eat food and appeared to regain his health. He said that it was the fruits of his dāna. He praised Śiva saying, “Due to your influence, my health is back to normal!” and displayed his deep friendship of gratitude to Śiva. After a few days, Śiva told the purohita, “How many more days would I live on your mercy? Why won’t you buy everything I received through dāna and give me some money?” The purohita agreed and donated all his wealth to Śiva, under the impression that the value of the treasure was much more than his combined wealth. They got the required paperwork done. Śiva got immense wealth through this deal and became a householder. Mādhava also joined him and they would spend the money they got from the purohita as per their requirement and lived happily.

Days rolled on. Once, the purohita was in dire need of money. He took all those ornaments that he had bought from Śiva to a merchant to sell them. Looking at them, the merchant declared them to be fake. He also saw the other ornaments and told him that all of them were glass beads coloured in various hues; they were neither gems nor the rest of it was gold. The purohita was shocked. He went back to Śiva and asked him to take those back and return all his money. He said, “Will the money stay for so long? I’ve used all of it!” The purohita quarrelled with him and then took him along with Mādhava to the king’s court with a complaint against them. Śiva declared his innocence saying, “O king! I’ve been an ascetic since my childhood. It was he who forced me to accept these by means of dāna. I don’t know anything about ornaments and precious gems. While accepting them I had already informed him about my naivety and had asked him to handle them. He had agreed. Once I received them, I handed it all to him. He then gave me as much money he deemed them to be worthy. I have all the relevant documents! Mādhava also said similar things: “I’m not guilty. I’ve not taken a single coin from either Śiva or the purohita.

I retrieved my ancestral wealth which was put away in safekeeping with someone and offered it to the brāhmaṇa. If my gold and precious stones are truly not genuine, may the merit of having offered mere glass and brass accrue to me. I for one, only believe in giving with a pure heart! Also, as everyone knows, I have been cured of my severe ailment’, he said. The king and his ministers burst out laughing. The courtiers declared that there has been no wrong committed by either Mādhava or Śiva. Seeing no other recourse available to him, the purohita left quietly with a dejected face. The two rogues then lived happily, entertaining the king and keeping themselves in his good graces.

~

Kanakarekhā narrated this story and said: ‘This brāhmaṇa too is lying about having seen Kanakapurī, just so he may obtain my hand. In the future, please do not be over-anxious regarding my marriage. I will remain a spinster if it is my destiny, let us see what the future holds’.

To this, the king said with a heavy heart: ‘Dear daughter! A woman in her youth should not remain unwed for long; people with envy in their hearts are bound to gossip repugnantly behind our backs. Know that the world blames the virtuous only more!’

 

To be continued...

The current article is a translation of Prof. A R Krishnasastri’s Kannada classic Kathāmṛta along with additional segments added from the original Kathā-sarit-sāgara (of Soma-deva). Bṛhat-kathā-mañjarī (of Kṣemendra) and Bṛhat-kathā-śloka-saṃgraha (of Budha-svāmin) have also been referred to. The translation has been rendered by Raghavendra GS, Arjun Bharadwaj, Srishan Thirumalai, and Hari Ravikumar.

The original Kannada version of Kathāmṛta is available for free online reading. So are the other works of Prof. Krishna Shastri.

Author(s)

About:

Prof. A R Krishna Sastri was a journalist, scholar, polyglot, and a pioneer of the modern Kannada renaissance, who founded the literary journal Prabuddha Karnāṭaka. His Vacana-bhārata and Kathāmṛta are classics of Kannada literature while his Saṃskṛta-nāṭaka and Bankimacandra are of unrivalled scholarship.

Prekshaa Publications

Among the many contributions of ancient Indians to world thought, perhaps the most insightful is the realisation that ānanda (Bliss) is the ultimate goal of human existence. Since time immemorial, India has been a land steeped in contemplation about the nature of humans and the universe. The great ṛṣis (seers) and ṛṣikās (seeresses) embarked on critical analysis of subjective experience and...

One of the two great epics of India and arguably the most popular epic in the world, the Ramayana has enchanted generations of people not just in Greater India but the world over. In less than three hundred pages The Essential Ramayana captures all the poetic subtleties and noble values of the original and offers the great epic in an eminently readable form that will appeal to the learned and...

The Bhagavad-gītā isn’t merely a treatise on ultimate liberation. It is also a treatise on good living. Even the laity, which does not have its eye on mokṣa, can immensely benefit from the Gītā. It has the power to grant an attitude of reverence in worldly life, infuse enthusiasm in the execution of duty, impart fortitude in times of adversity, and offer solace to the heart when riddled by...

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...