August 2020

इदं गुरु-गिरीन्द्रजा प्रणय-मन्दरान्दोलनात् पुरा किल कथामृतं हर-मुखाम्बुधेरुद्गतं | प्रसह्य रसयन्ति ये विगतविघ्नलब्धर्धयो धुरं दधति वैबुधीं भुवि भवप्रसादेन ते || Long ago this kathāmṛta (literally 'story-nectar') rose up from the mouth of Śiva churned by Pārvatī’s love acting as the Mount Mandara. Those of this world who partake of it are, through the grace of Śiva, instantly rid of obstacles and blessed with prosperity and vested with...
Kumbāra Guṇḍayya (Guṇḍayya, the Potter) In one of the plays – probably ‘Vijayanagara Patana’ – one of the characters is a potter. That day Raghavacharya beckoned me and told me to sit in the first row, just next to stage. I declined. He insisted I sit there compulsorily. “If you don’t sit there, I will have to call out your name loudly and make you come there. It will be an unnecessary fuss.” Thus he cajoled me. I sat there as per his...
Sagra 2 The second sagra of Kumārasambhava starts with the devas going to Brahmā seeking his help in vanquishing the demon Tārakāsura. In the verse 2.2, the poet achieves multiple purposes. While in nāṭya, it would be easy to see how many devas went to the abode of Brahmā and who they were, just with them entering on the stage, this has to be achieved by poet through words. He says that the group of devas was like a pond filled with lotuses....
Pasture
Guidance Most of the major works that I can claim to have read in the areas of political science and economics were suggested by Murthy. He lent his personal copy of the book “Edmund Burke: A Historical Study” by the scholar John Marle and asked me to read it. He also told me that he would test my understanding in that. Similarly, he made me read the works of [William Ewart] Gladstone, [Richard] Cobden, and [William] Pitt (both father and son)....
estuary2
Conclusion: Even as I wrote this work, my daughter Smt. Shanta and grand-daughter Smt. Leela went through different segments and expressed their delight. They have now completed their studies and are married. This work contains several stories which they can tell their family and friends. This collection of stories cannot be read in a day and hands extended seeking another story book. It contains such a huge number of stories. For a person who...
Circa 1909, the drama company Sumanorama Sabhā (or Suguṇavilāsa Sabhā) of Bellary arrived in Bangalore. Kolachalam Srinivasa Rao was the director of that drama company. He was an advocate. It was Sāhukār Netkallappa[1] who helped the company by making arrangements for them in Bangalore. Citranaḻīyamu At that time, the passion for drama in Bellary was intense. Several educated young men and women would gather at the theatre. Sarasa Vinodini Sabhā...