Kathāmṛta - 62 - Alaṅkāravatī-lambaka - The Story of Camaravāla - The Story of Arthavarman and Bhogavarman

This article is part 62 of 133 in the series Kathāmṛta

Another day, when Naravāhanadatta was in the court, a prince by name Samaratuṅga came to him and said, ‘O lord! My cousin Saṅgrāmavarṣa and his four sons are jointly destroying the country. I will go and arrest them!’ Knowing well that Samaratuṅga had but a small army, Naravāhanadatta offered to send his army along. However, without seeking the support of the king's army he waged a war and arrested all five of them. Naravāhanadatta bestowed upon him royal honours and said, ‘He single-handedly defeated and arrested five of them; isn't it a great wonder!’ In response, Gomukha said, ‘O lord! If you haven’t heard about such a thing, let me narrate you the story of Camaravāla’, he started his narration as follows -

The story of the king Camaravāla

Hastināpura was ruled by a king named Camaravāla. Five kings related to him - Samarabala, Samaraśūra, Samarajita, Pratāpacandra, Pratāpasena - who were ruling the neighbouring kingdoms thought, ‘He is too powerful and will torment us if we are not united; let us all combine our forces and subdue him.’ They asked their astrologer for an auspicious time to start their venture. He thought for a while and said, ‘There are no such times this year! All the omens are bad! If you still go on you won’t achieve victory; he would be greatly benefitted instead; you can enjoy only if Lakṣmī is pleased with you; this is what is in your fate; haven’t you heard of the story of the two merchants?’ and he started narrating it -

The story of the merchants, Arthavarman and Bhogavarman

The kingdom of Kautukapura was ruled by a king named Bahuvarṇaka. As his name suggests, he was quite rich and also munificent. But he never gave anything to the kṣatriya youth Yaśovarman who was his subordinate. Whenever he asked something, he would point towards the Sun and say, ‘I want to give you something, but he forbids me; what can I do?’ Once, during a solar eclipse when the king was magnanimously giving aways many things, Yaśovarman approached him and said, ‘That Sun who would always forbid you is now swallowed by his foe; at least now give me something!’ The king laughed and gave him lots of money and clothes. But those riches got exhausted. His wife died. He set out to the abode of Vindhyavāsinī, made himself a seat of darbhā and performed tapas without food. She appeared in his dreams and said, ‘O my son! I’m propitiated; do you want riches or do you want luck?’ He said he isn’t aware of the difference. She said, ‘Go back to your city and meet the two merchants Arthavarman and Bhogavarman; whoever you think is happy I’ll make you like them.’ As per her instructions, he first visited Arthavarman. He had made a fortune in selling gold and precious gems. He welcomed Yaśovarman and invited him for a meal. He served him ghee, meat and vegetables sumptuously, and he only consumed half a pala[1] of ghee, a bit of flour based food, a piece of meat, and some vegetables. When he asked why he had only so much, he replied, ‘I’d this much only out of courtesy. Generally I consume only one karṣa of ghee and a bit of flour based food, that’s it. If I eat more it causes indigestion’ Yaśovarman finished his dinner and drank milk. Arthavarman drank only a pala of milk. They both slept in the same quadrangle. During the night Yaśovarman dreamt as though someone came with sticks and took Arthavarman to task, ‘Why did you eat more than one karṣa of ghee? Why did you consume meat? You drank one pala of milk?’ They held his legs and dragged him out, he was beaten up with the sticks, and extracted all the excess stuff he had eaten. When he woke up, he saw Arthavarman rolling on the floor clutching his stomach. The servants were trying hard to help their master by massaging his tummy. Soon Arthavarman vomited all that he had eaten and heaved a sigh of relief. Having seen what had happened, Yaśovarman muttered to himself: ‘If this is what he is going through, then of what use are all his wealth and prosperity? Fie upon them’.

Next morning Yaśovarman took Arthavarman’s leave and went to the home of Bhogavarman. Even there he was respectfully received and invited for lunch. The home was spic and span and furnished adequately. The household was not overflowing with opulence, but had just the right amount of apparel and jewels. In fact Bhogavarman didn’t even have enough money in hand for the day’s expenses, and had to pawn someone’s vessels with someone else in order to procure money. He handed the money thus received to his dutiful wife and asked her to prepare a good meal. Right at that moment, a friend of Bhogavarman’s came along and persuaded him to accompany him for lunch at his home thus: ‘All other friends have already arrived; they are waiting just for you! Come with me at once!’ Bhogavarman however replied ‘I cannot join you today. I have a guest at home!’. The friend immediately said ‘Let him join us! Your guest is our friend! Come on, get up!’, and forcefully took Bhogavarman and Yaśovarman in tow. Together, they had a sumptuous lunch in the friend’s house.

When they returned home in the evening, a nice and hot meal was awaiting them. After a satiating dinner Bhogavarman summoned the servants and asked ‘is there any food left for the night?’. When they replied in the negative, he just said ‘May we drink milk tomorrow! For tonight, let’s content ourselves with water’. Then, both Yaśovarman and Bhogavarman slept side by side in the same quarters.

That night, Yaśovarman had another strange dream. He saw a couple of men being chased around and thrashed mercilessly with sticks by another gang of men who kept cursing ‘You despicable sons of whores! Instead of making all the arrangements for what Bhogavarman needed for the night, where had you gone?’ The ones getting caned were just wailing ‘Mercy! Oh spare us! Oh please forgive us this once!’. He woke up and spent the rest of the night ruminating over what he experienced that day. He thought to himself: ‘The enjoyment that Bhogavarman reaps without worries is way superior to possessing all the riches of the world which one cannot enjoy’. Next morning he took leave of Bhogavarman and went to Vindhyavāsinī and beseeched her to be blessed with enjoyment instead of wealth. After returning home, he started enjoying each day, whatever he received in a relaxed manner, being completely devoid of worries.

- Thus, all of one’s possessions which one cannot even enjoy amount to nothing. On the other hand, even a little good luck which leads to enjoyment is any day better!

Concluding this story, the astrologer said: ‘Give up chasing fortune! Instead look for enjoyment in your lives. Don’t go to war with Camaravāla. Also the omens foretell that the time is not auspicious to embark upon such an adventure. And if you do, beware that the signs are ominous. It doesn’t look like victory will be yours!’ However, without paying heed to the sage advice of the astrologer, all the five men went to war with Camaravāla. Although their army was four times as big as Camaravāla’s, the latter emerged victorious. All the five kings were imprisoned and their entire armies were decimated. Some of the soldiers who survived managed to flee.

Among the miserable five was king Pratāpasena, whose wife Yasholekha also became Camaravāla’s. Thinking ‘after all he has won me in battle’, she joined his queens’ quarters. After a few days, she entreated the king and got her husband and the other four kings released with due respect and they were allowed to return to their kingdoms. Thus the five invaders goaded on by their hatred went to war without giving adequate thought to their foe’s strengths and weaknesses, and were brought to their knees by the courageous Camaravāla.

Naravāhanadatta appreciated the story that was narrated by Gomuka. He went ahead to perform his snāna and āhnika for the day.

5. On yet another day, when Naravāhanadatta was at Alaṅkāravatī’s mansion along with his ministers, Marubhūti’s servant came there and said –“Deva! I have been serving Marubhūti for two years now. He has provided my family with food and clothing. He has also promised me fifty Dinars per year over and above it but has not given the amount to me yet. When I asked for it, he got me beaten up. If you don’t look into the matter, I will give up my life by falling into the fire!”

Listening to these words, Marubhūti said – “It is true that I was to give this person Dinars; however, I do not possess any Dinars now!”

Everyone laughed listening to him.

Naravāhanadatta exclaimed – “What is this stupidity! Is this your intellect? Get up! Don’t delay any further – reward him with a hundred Dinars!”

Marubhūti felt ashamed. He got up, brought a hundred Dinars and paid his servant.

Gomukha then said – “Deva! The citta-vrtti of Marubhūti is one of the strangest creations of Brahmā. Haven’t you heard the story of Ciradhātṛ-rāja and his servant?” Listen now

The current article is a translation of Prof. A R Krishnasastri’s Kannada classic Kathāmṛta along with additional segments added from the original Kathā-sarit-sāgara (of Soma-deva). Bṛhat-kathā-mañjarī (of Kṣemendra) and Bṛhat-kathā-śloka-saṃgraha (of Budha-svāmin) have also been referred to. The translation has been rendered by Raghavendra GS, Arjun Bharadwaj, Srishan Thirumalai, and Hari Ravikumar.

The original Kannada version of Kathāmṛta is available for free online reading. So are the other works of Prof. Krishna Shastri

Footnotes

[1]pala and karṣa are units of measurements, 1 pala is equivalent to 4 karṣas.

Author(s)

About:

Prof. A R Krishna Sastri was a journalist, scholar, polyglot, and a pioneer of the modern Kannada renaissance, who founded the literary journal Prabuddha Karnāṭaka. His Vacana-bhārata and Kathāmṛta are classics of Kannada literature while his Saṃskṛta-nāṭaka and Bankimacandra are of unrivalled scholarship.

Prekshaa Publications

Karnataka’s celebrated polymath, D V Gundappa brings together in the eighth volume of reminiscences character sketches of his ancestors teachers, friends, etc. and portrayal of rural life. These remarkable individuals hailing from different parts of South India are from the early part of the twentieth century. Written in Kannada in the 1970s, these memoirs go beyond personal memories and offer...

Karnataka’s celebrated polymath, D V Gundappa brings together in the seventh volume of reminiscences character sketches of prominent scholars, businessmen, hoteliers, as well as of the laity. These remarkable individuals hailing from different parts of South India are from the early part of the twentieth century. Written in Kannada in the 1970s, these memoirs go beyond personal memories and...

Poets on Poetics: Literary Aesthetics Envisioned by Sanskrit Poets uncovers the tenets of literary theory conceptualized by masters from Bharata to Jagannātha that are embedded in the works of poets from Vālmīki to Nīlakaṇṭha-dīkṣita. Poets typically present their insights in the form of suggestive verses and rarely as an organized body of facts. Their exposition, inchoate though it might seem...

India is a land of stories. It is a fountainhead of various story-telling traditions of Greater India, Asia, and Europe. The now lost Bṛhat-kathā of Guṇāḍhya was an inexhaustible treasure-trove of stories that influenced generations of listeners. Somadeva’s Kathā-sarit-sāgara is a twelfth century Sanskrit retelling of this grand compendium. To read this work is to understand the heart of the...

Among the many contributions of ancient Indians to world thought, perhaps the most insightful is the realisation that ānanda (Bliss) is the ultimate goal of human existence. Since time immemorial, India has been a land steeped in contemplation about the nature of humans and the universe. The great ṛṣis (seers) and ṛṣikās (seeresses) embarked on critical analysis of subjective experience and...

One of the two great epics of India and arguably the most popular epic in the world, the Ramayana has enchanted generations of people not just in Greater India but the world over. In less than three hundred pages The Essential Ramayana captures all the poetic subtleties and noble values of the original and offers the great epic in an eminently readable form that will appeal to the learned and...

The Bhagavad-gītā isn’t merely a treatise on ultimate liberation. It is also a treatise on good living. Even the laity, which does not have its eye on mokṣa, can immensely benefit from the Gītā. It has the power to grant an attitude of reverence in worldly life, infuse enthusiasm in the execution of duty, impart fortitude in times of adversity, and offer solace to the heart when riddled by...

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...