Appendix (Part 18)

This article is part 143 of 143 in the series Jīvana-dharma-yoga

(Karmayoga)

yajñārthāt karmaṇo ’nyatra loko’yaṃ ।
karma-bandhana iti jānīhi satyam ॥
karma-phalāsaṅgaṃ tyaktvaiva santṛptaḥ ।
karma kurvannapi kartā sa naiva ॥ 13 ॥
Know the truth, that karma is shackling
Unless performed as yajña for the world’s well-being.
One who is satisfied, and gives up the desire for the fruit of karma
Even when he is engaged in it, he is never the kartā.

yaḥ kāma-krodhod-bhavaṃ vegaṃ sahate sa ।
ṃukto vimuktaśca saṃsāra-bandhanāt ॥
yo māṃ paśyati sarvatra sarvaṃ ca ।
mayyeva tasyāhaṃ mama sa ca mitraṃ ॥ 14 ॥ 
One who can endure the agitation of kāma and krodha
Is completely free of the fetters of saṃsāra.
One who sees me everywhere, and everything in me,
I belong to him, he is my ally.

(Surrender)

mayi sarvamidaṃ protaṃ sūtre maṇaya iva ।
jaṅgamājaṅgamaṃ jagadapi pārtha ॥
bahu-janmanām ante jñānī māṃ bharaṇaṃ ।
vāsudevas-sarvam-iti yāti śaraṇam ॥ 15 ॥
Pārtha, the universe, moving and unmoving
Is all strung within me, like beads on a string.
The jñāni seeks refuge in me, the supporting being,
At the end of many lives, and realizes that Vāsudeva is everything.

antakāle ca māmeva smaran-muktvā ।
yo’ṅgaṃ prayāti sa madbhāvaṃ yāti ॥
yaṃ yaṃ vāpi smaran bhāvaṃ tyajatyante ।
dehaṃ tamevaiti kaunteya satyam ॥ 16 ॥
One who remembers only me at the end,
And leaves his body, attains my state.
Whatever state is meditated upon at the end,
is attained, Kaunteya, know this to be the truth.

māṃ prāpya punarjanma duḥkhālayaṃ lokaṃ ।
na prāpnuvanti parāṃ siddhim āptāḥ ॥
ṣañcintayanto māṃ ye paryupāsate ।
teṣāṃ yogakṣemaṃ vahāmyaham-eva ॥ 17 ॥
Those who have attained me are not born again,
In this world, the abode of sadness.
Those who worship me, think of me alone
I will myself take care of their welfare.

api cet-sudurācāro bhajati cen-māmeva ।
dharmātmā sa bhavati śāntim-upaiti ॥
śritvā māṃ strī-vaiśya-śūdrāśca mucyante ।
bhaja māmasmin loke asukhe anitye ॥ 18 ॥
Even if one is evil, but worships me with single mind,
He becomes dhārmika, and attains peace.
Taking refuge in me, women, vaiśyas and śudras are liberated.
Attain me here in this world which is ephemeral and sad.

Na tadasti madvyatiriktaṃ carācaraṃ ।
matkarma-kṛn-madbhakto nissaṅgo ॥
nirvairas-sarva-bhūteṣvapi yassa mā -।
meti pāṇḍava pārtha jñāta-śāstrārtha ॥ 19 ॥
There is nothing apart from me, moving or unmoving
Doing my work, my devotee becomes free of attachment.
The one who is friendly with all beings,
Attains me, O Arjuna, Knower of śāstra-principles!

Ye tu sarvāṇi karmāṇyapi mayyeva ।
saṃnyasya māmeva samupāsate ye ॥
teṣām-ahaṃ samuddhartā saṃsārato ।
na cirāt pārtha bhavāmi jahi śatru-sārthān  ॥ 20 ॥
I quickly become the deliverer from saṃsāra, of
Those who perform all karmas and offer them to me,
And those who worship me alone.
O Pārtha, do destroy the troops of enemies. 

(Characteristics of a bhakta)

nirmānitvam-adambhitvam-ahiṃsā kṣāntiś-ca ।
ārjavam-ācāryo-pāsanaṃ śaucam ॥
sthairyam-ātma-vinigraho viṣayeṣu ca ।
vairāgyam-iti mama bhakti-svarūpam ॥ 21 ॥
Unpretentiousness, non-violence, and humility
Sincerity, devotion to Guru, and purity,
Steadfastness, self-control regarding sense objects,
And vairāgya are the marks of devotion to me.

anahaṅkāro janma-mṛtyu-jarā-vyādhi- ।
duḥkha-doṣānu-darśanam-asaktiś-ca ॥
anabhiṣvaṅgaḥ putra-dāra-gṛhādiṣu ।
iṣṭā-niṣṭā-ptiṣu samacittatvaṃ ca ॥ 22 ॥
Absence of pride, understanding the defects,
Of birth, death, old age, disease and feebleness,
Absence of infatuation towards children, wives and houses,
Equanimity towards desired and undesired outcomes.

mayyeva bhaktir-vivikta-sevitvaṃ ca ।
aratir-janānāṃ ca saṃsadi nityaṃ ॥
adhyātma-jñāna-nityatvaṃ ca kaunteya ।
tattva-jñānārtha-darśanam-iti nityam ॥ 23 ॥
Devotion only in me, serving in solitude,
Constant unattachment to people’s assemblies,
The eternality of spiritual knowledge, O Kaunteya,
Is forever the grand sight of true knowledge.

yo’vyabhicāreṇa bhakti-yogena māṃ ।
Sevate sa guṇān tāns-trīn-apy-atītya ॥
brahma bhūyaṃ ca tad-añcati mad-bhakto ।
mayi bhaktir-evaikā bhava-sindhor-naukā  ॥ 24 ॥
One who worships me with single-minded devotion
Transcends all the three guṇas.
Thus, my devotee attains the state of Brahma
Devotion towards me is the only ship to cross the world-ocean.

tameva cādyaṃ puruṣaṃ prapadye
yasmāt-pravṛttis-tu prasṛtā purāṇī ।
evaṃ prapattyā tu śaraṇaṃ bhajan sa māṃ
jagan-mūla-kandaṃ yāti mukundaṃ ॥ 25 ॥
One who devotedly seeks me thinking thus -
“I seek refuge in the unparalleled puruṣa
From whom all events of yore manifested”.
Attains me, Mukunda, the origin of the universe.

kāma-krodha-lobhākhyāś-śatrava ete
dussaha naraka nipātana-dakṣāḥ ।
tasmād-etat-trayaṃ saṃtyajya kaunteya
śāntastu tāṃ gatiṃ yāti parāṃ ca  ॥ 26 ॥
Kāma, krodha and lobha are your enemies,
capable of felling you into intolerable Naraka.
Giving up these three, O Kaunteya.
One who is serene attains the state most exalted.

aśraddhayā hutaṃ dattaṃ tapas-taptaṃ 
yat-kṛtaṃ tatsarvam asad-iti viddhi ।
na ca tat-pretyāto no iha kaunteya
śraddhā-puras-saraṃ sad-avehi sarvam ॥ 27 ॥
Understand, that āhuti, dāna and tapas
Done without śraddhā, are infelicitous.
It yields neither worldly nor other-worldly benefits.
Know that whatever is done with śraddhā is the best.

satyaṃ te prati-jāne pārtha priyo’si me
sarva-dharmān pari-tyajya mām-ekaṃ ।
śaraṇaṃ vrajāhaṃ te sarva-pāpebhyo 
mokṣayiṣyāmy-eva mā śuca ittham ॥ 28 ॥
Pārtha, I tell you the truth; you are dear to me.
Give up all dharmas and seek refuge in me.
I will surely rid you of your pāpas;  do not despair thus.
(Pray to him who spoke to Arjuna thus).

(Śrī-Kṛṣṇārpaṇam)

vasudeva-suta kṛṣṇa jagatāṃ guro kṛṣṇa
śaraṇaṃ ramā-jāne tvāmeva jāne ।
rādhā-ramaṇa nārāyaṇa govinda
khelaya māṃ tvayi pālaya ceti  ॥ 29 ॥
O guru of the universe, O Kṛṣṇa, O son of Vasudeva,
I seek your shelter. I know only you, O beloved of Ramā. 
O Nārāyaṇa, Govinda, beloved of Radhā,
Make me sport in you, and protect me.

kāyādi-viracitam akhilam api ca karma
kṛṣṇe’stu parihṛta-saṃsāra-tṛṣṇe ।
veṅkaṭa-giri-vāse pālita-nija-dāse
śubhalakṣmī-suvilāse śrī śrīnivāse  ॥ 30 ॥
May all work done by the body, mind and others
Be accepted by Kṛṣṇa, one who delivers from saṃsāra’s thirst.
By him who resides on the hills of Veṅkata, protecting his servants,
By Śrīnivāsa, in whom sports Lakṣmī, the epitome of auspiciousness.

bhaja pārtha-sārathim । ayi citta śaraṇam ॥
॥sarvaṃ śrīkṛṣṇārpitam॥

Maṅgalam

Śrīkṛṣṇārpaṇam-astu maṅgaḻam-adhītaṃ kṛṣṇagītaṃ prapañ -
caikātmya-prati-pādanaṃ prakṛti-māyā-moha-nirṇodanam ।
lokaṃ jīvana-dharma-yoga-pathamaṃ kaṅḍilli tad-yogadiṃ
śokātīta-śubhaṅgaḻaṃ gaḻike saṃmodaṅgaḻaṃ śāntiyam ॥
This is an offering to Śrīkṛṣṇa, may the study of his Gītā be auspicious to us.
It propounds the oneness of the universe, and rids of false delusions from prakṛti and māyā.
May the world find the path of the yoga of life’s dharma here, and with it
Find propitiousness untouched by sorrow; attain happiness and peace.

nara-nārāyaṇa-bhāṣitaṃ kuru-raṇa-kṣetra-prasaṅgotthitaṃ
Paramarṣi-śruti-saṃpradāya-guru pārāśarya-kāvya-sthitaṃ ।
puruṣārthakk-idu sādhakaṃ parama-tattva-jñāna-sampādakaṃ
duritottāpava nīgi māḻke janariṅg-ucchrāyamaṃ śreyamam 
The conversation of Nara and Nārāyaṇa, that rose in the battlefield of the kurus.
The guru of vaidika tradition as espoused by great rṣis, established in the kāvya of the son of Parāśara.
It helps in fulfilling the puruṣārthas; in attaining the knowledge of the principle supreme.
May it rid people of their afflictions ; may it elevate and benefit them.

noḍuge santar kutukade
nīḍuge mat-sāhasakke dayeyiṃ kṣameyaṃ ।
prauḍhiyan-ariyada tattvā-
loḍaneyuṃ matiya śodhisade mādṛśaroḻ ॥
May my immature ponderings on the real
Be accepted with no cavil.
May it be seen by the good with eagerness.
May they bestow my adventure with forgiveness.

ṣmarisida mātradin-āvana
karuṇeya rasa-tantram-odavi doṣadi guṇamaṃ ।
ṃereyikumo kaṇadi pūrṇama-
niralavanaḍi namage śaraṇam akhilaṃ kuśalam ॥
Just by whose remembrance,
by the flow of whose compassion, merit shines even in a defect,
And the whole shines in a fleck,
May the feet of that complete one be our surrender and welfare.

nārāyaṇa naranaṃ
bhāratiyaṃ vyāsanaṃ sadā namisute saṃ ।
sārāhavamaṃ bhārata ।
sārathi-gītopadiṣṭa-baladiṃ geluvaṃ ॥
One who always bows to Nārāyaṇa
And Nara, Bhāratī and Vyāsa,
Wins the battle of saṃsāra with
The energy of the song given by the charioteer of the Bhārata.

jagadoḻ daivyasuryam-eṃberaḍum-enduṃ porutirkuṃ nisar-
gaguṇa-kṣobhegaḻinde pauruṣake kāryaṃ klṛptam ānitya-saṃ- ।
yugadoḻ sattvavanetti tāmasa-rajassaṃ solipā śauryadoḻ ।
bhagavadgītey-upāsakarge balam-uṇṭenduṃ jayaṃ maṅgaḻam ॥
In this universe, with daivī and āsurī always battling each other,
Agitated by natural guṇas; human effort hence has its work laid out in in this daily warfare,
Raise sattva, and defeat tamas and rajas; in this mighty duty, the devotee
of the Bhagavadgītā will ever possess power, thence victory and prosperity!

‍‌।। इति सर्वं शिवम् ।।

Concluded...

The present series is a modern English translation of DVG’s Kendra Sahitya Akademi Award-winning work, Bhagavad-gītā-tātparya or Jīvana-dharma-yoga. The translators wish to express their thanks to Śatāvadhāni R Ganesh for his valuable feedback and to Hari Ravikumar for his astute edits.

Author(s)

About:

Devanahalli Venkataramanayya Gundappa (1887-1975) was a great visionary and polymath. He was a journalist, poet, art connoisseur, philosopher, political analyst, institution builder, social commentator, social worker, and activist.

Translator(s)

About:

Engineer. Lapsed blogger. Abiding interest in Sanskrit, religion, and philosophy. A wannabe jack-of-all.

About:

Mother of two. Engineer. Worshiper of Indian music, poetry, and art.

Prekshaa Publications

Among the many contributions of ancient Indians to world thought, perhaps the most insightful is the realisation that ānanda (Bliss) is the ultimate goal of human existence. Since time immemorial, India has been a land steeped in contemplation about the nature of humans and the universe. The great ṛṣis (seers) and ṛṣikās (seeresses) embarked on critical analysis of subjective experience and...

One of the two great epics of India and arguably the most popular epic in the world, the Ramayana has enchanted generations of people not just in Greater India but the world over. In less than three hundred pages The Essential Ramayana captures all the poetic subtleties and noble values of the original and offers the great epic in an eminently readable form that will appeal to the learned and...

The Bhagavad-gītā isn’t merely a treatise on ultimate liberation. It is also a treatise on good living. Even the laity, which does not have its eye on mokṣa, can immensely benefit from the Gītā. It has the power to grant an attitude of reverence in worldly life, infuse enthusiasm in the execution of duty, impart fortitude in times of adversity, and offer solace to the heart when riddled by...

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...