English Writings of D V Gundappa - 7

This article is part 7 of 14 in the series English Writings of D V Gundappa

M Venkatakrishnaiya (1844–1933) was popularly known as the ‘Grand Old Man’ of Mysore. He was a veteran journalist, educationalist, and builder of institutions. The Mysore State owed a great chunk of its development to his zeal and perseverance. DVG wrote a tribute to him in 1932. Assessing the importance of Venkatakrishnaiya’s work, he outlined the nature of public work in India:

… Public work in our country then was, even if it now is not, like the procession of a Hindu God. Devotees come thronging on the way but numbers of them slowly scattered away after a little while. The whole pious crowd keeps changing from moment to moment. The dharma-karta and the priest are all that remained to the very end. While others have come and helped and gone away after a little time, Mr. Venkatakrishnaiya has remained at the post of duty all the while, never weary and never impatient, sustaining the responsibility, burdens of popular spokesmanship and bearing the brunt of all attacks by its adversaries. The single-minded and long-continued steadfastness in shouldering the burdens of public life is to me of deeper and more enduring significance than anything else, in this ample and many-sided career.  (p. 292)       

               What DVG wrote of Venkatakrishnaiya applies in equal measure to him as well:

His is a mind that can hold the good points of every school of thought and makes up a synthesis of its own … his honesty of purpose and his fundamental beneficence have been so to compel respectful recognition even from those who differed from him in opinion and policy. (p. 299, 300)

               DVG’s ability to capture all the traits of a multifaceted personality with a small set of well-chiselled phrases is uncanny. The following is a fine example:

Mr. Venkatakrishnaiya is a hard hitter but is not one who would leave a rankling sore behind. As ready to forgive as to point out faults; unafraid to strike, but anxious to heal; hearty in appreciation and loyal in support; candid yet generous; he is here, as elsewhere, a wholesome mixture of both nutritive and curative elements. (p. 301)

               In 1940, DVG wrote an obituary on Krishnaraja Wodeyar IV, the Maharaja of Mysore. The final paragraph of his essay sums up the events and attitudes that guided the life of the Maharaja:

Constitutionalist and nationalist as he was, his politics had for its basis a certain upward-looking disposition of the soul. He was ever on a quest after dharma. Life’s experiences had filled him with a vivid and constant sense of the limited values of the things of this world. He was a boy of ten years when he lost his father. Cares fell on him thick with the progress of years. Loneliness must be the lot of any serious-minded man in circumstances so trying; and doubly so the lot of one born to sit on a throne. Fancy would like to speculate what might have been his future if his father, Sri Chamarajendra Wodeyar of blessed memory, instead of meeting with an untimely death in 1894 (in his 31st year), had lived on to 1904, and had been persuaded to leave the son free to choose his career. Would not the son have expressed preference for a life of enlightened leisure and reposeful contemplation for himself, recommending his more active-natured younger brother for the onerous duties of kingship? The late Maharaja was a lover of great solitudes and great silences, a man who loved to brood and to penetrate the mystery of life, one who sought to commune with nature and realize the one essence behind her phantasmagoria. He was such a one among Princes as might have been singled out by Plato for approbation. He belongs to the company of Asoka and Aurelius, with the splendour of the Crown made mellow by the wrinkles on the brow. (p. 309)

               DVG delivered the Presidential Address at the Mysore State Journalists’ Conference on 1 December 1940. The address contains a valuable survey of the history of journalism in the state, in addition to a few guidelines applicable to the (then) contemporary practice of the craft.

               DVG’s conception of journalism as a sacred activity comes across in his allusion to a priest: “The editor, in relation to his paper, is what the priest is in a public temple, – the agent and assistant of the public.” (p. 326)

               Despite batting for the freedom of the press, DVG warns journalists against becoming a law unto themselves:

It is a difficult thing for a journalist to pocket his individuality and behave as though he had someone superior to himself. The mental habit which the nature and the conditions of the profession promote is one of self-assertiveness. But poor indeed must be the moral worth of a man who would be a law unto himself anywhere and everywhere and would not recognize the obligations implicit in the fact of his being the member of a profession. (p. 332)

               The newspaper, to DVG, was much more than a medium to communicate news. He saw it as a tool to refine the literary and cultural sensibility of people:

It is proper that the newspaper writer should always keep in view two apparently incompatible aims: that he should be readily understood, and that he should be gradually raising the literary capacity of the reader … In any case, the gradual elevation of the level of popular culture should be one of the principal aims of our newspapers. (p. 335) 

               He requested journalists to be wary of the ‘mechanizing of thought’ and urged them to be objective reporters—and not judges—of public affairs:

The evil of the age of the machine has not exempted the newspaper. Machine means mass production and easy circulation; and this means ready currency for half-baked ideas and readymade phrases. Nothing can be more fatal to the mind and the spirit than such mechanizing of thought … The journalist has to make it plain that he speaks but as a witness and not as the judge; that his office is but to report and to explain and that it is the reader’s to examine and decide. (p. 351)       

               DVG visualized an ideal paper that would be a pure aid to intelligence, leaving no room for any suspicion of private interest. He described it in unambiguous terms:

Its record of news will all be impersonal or photographically objective; and its budget of views will all be “personal” and frankly signed in large part. Its reports will not be tendentious; and its editors need not regard himself as under an obligation to discover or imagine a theme for discourse every day. There need be no such thing as a leading article at all, the editor being content to write over his signature, and that only when he has something to say, like any contributor. Its space will be available to everybody who has anything to submit for the consideration of the public, irrespective of the nature of his doctrine or his point of view. The only condition, apart from questions of the economy of the paper’s space and resources, is that the writing should be decent and responsible and not injurious to the integrity and harmony of civic life; and to judge of this will be the main responsibility of the editor. (pp. 351–52)

               DVG, unlike many of his traditional contemporaries, recognized the inevitability of scientific progress. He saw no conflict between tradition and science. In 1941, he wrote an article in Current Science, explaining the criteria to evolve scientific vocabulary in Indian languages. He identified four markers:

  1. Intelligibility: This includes the qualities of simplicity, directness, brevity, lucidity and also forcefulness.
  2. Accuracy: The words should … have definite meanings and should not be interchangeable.
  3. Harmony: This is the fitness of the word to its context in both sound and sense … Each language has its own peculiarities of word-structure and syntax, as well as of sound-value and rhythm; and any new word we coin or borrow must be appropriate to the idiom and the euphony of our language.
  4. Extensiveness of Currency: The words should be as far as possible such as can facilitate (i) not only the acquisition of knowledge by the student individually and at a particular stage of his education, but also (ii) his discussing about it and sharing it with his fellow-students and even communicating it to others, on as large a scale as possible, and further (iii) his using that knowledge as the basis for his higher education outside his Province and outside India. (pp. 358–59)

               His comments on sticklers and linguistic fanatics are instructive:

One detail which the linguistic fanatic is apt to forget is that the content of the word is of greater consequence than the word itself, that language is merely the means, and that there are strict limits to the demands that can be made upon the average man’s time and energy and enthusiasm by etymology and grammar, all-important though they be to the philological pandit.   

               Rigid adherence to particularism and provincialism as regards the medium of knowledge and culture would be nothing but a pitiful process of stunting our own intellectual and moral growth. (p. 363)   

               DVG wrote an essay titled Science and Ethics in 1941. It was in the wake of a symposium convened in London on the same subject. His presentation of the Hindu view of science and ethics elicited widespread response from the USA and Europe. Nature, the reputed science journal, expressed its appreciation for the essay on 18 April 1942.

               DVG began by explaining the central objective of ethics:

There is a duality in the composition of man: an outward impulsion and an inward impulsion. The flow and interplay of these two forces is human life. They mould character and make history …          A comprehensive morality should provide both for the convenience and comfort of the outward life and for the satisfaction and peace of the soul within. (p. 374)

               He advocated ‘enjoyment without indulgence,’ staying true to the spirit of the Bhagavadgītā (7.11):

No human faculty need be famished provided it will be governed by dharma. Indeed, it is conceivable that dharma may itself recommend that certain appetites should be kept satisfied up to a point, so that the higher elements in man’s nature may be left at peace to develop and grow. (p. 377)

               His comment on erring in the stage of training is worth bearing in mind: “It is safer to err, if erring it be, on the side of too much than on that of too little in the matter of training and preparation.” (p. 378)

               He scornfully commented on the recalcitrance of science in accepting brahman as the sheet-anchor of morality:

Science may not herself need it; but life, which is larger than science, stands in need of it if it should be more than a race of blind mice terrified by the screams of lame cats themselves frightened by the sniffings of dumb dogs in a sunless wood. (p. 379)

               In 1942, DVG delivered a lecture titled Towards a New World Order: An Indian View. He averred that progress and welfare bereft of a solid philosophical underpinning cannot be long-lasting. He argued for ‘cosmic humanism’ guided by spirituality and actuated by science:

My hope for the future rests firmly on our creating conditions for scientific humanism to express itself in economic and social betterments through the operation of world-democracy, sustained by a philosophy of manly effort combined with calm fortitude in the presence of failure. What we need is both a new political and economic program and a new moral philosophy in formulating which the scientist and the humanist join in collaboration and which will be a harmonious blending of serene self-renunciation within and ceaseless striving without, — a new scheme of spiritual discipline as well as a new social order of greater justice and better felicity, — a new ethic in which individualism will find its justification as well as its culmination, through service to the Nation and the State, in cosmic humanism. (p. 381)

*                            *                            *

Nāḍoja S R Ramaswamy introduced me to the nuances of editing and provided incredible insights into the personality and works of D V Gundappa. Śatāvadhānī R Ganesh breathes life into all my activities. Sandeep Balakrishna patiently polished my prose and offered valuable suggestions to shore up the observations in this essay. I owe an immense debt of gratitude to all of them.

*                            *                            *

Author(s)

About:

Shashi Kiran B N holds a bachelor’s degree in Mechanical Engineering and a master's degree in Sanskrit. His interests include Indian aesthetics, Hindu scriptures, Sanskrit and Kannada literature and philosophy.

Prekshaa Publications

Among the many contributions of ancient Indians to world thought, perhaps the most insightful is the realisation that ānanda (Bliss) is the ultimate goal of human existence. Since time immemorial, India has been a land steeped in contemplation about the nature of humans and the universe. The great ṛṣis (seers) and ṛṣikās (seeresses) embarked on critical analysis of subjective experience and...

One of the two great epics of India and arguably the most popular epic in the world, the Ramayana has enchanted generations of people not just in Greater India but the world over. In less than three hundred pages The Essential Ramayana captures all the poetic subtleties and noble values of the original and offers the great epic in an eminently readable form that will appeal to the learned and...

The Bhagavad-gītā isn’t merely a treatise on ultimate liberation. It is also a treatise on good living. Even the laity, which does not have its eye on mokṣa, can immensely benefit from the Gītā. It has the power to grant an attitude of reverence in worldly life, infuse enthusiasm in the execution of duty, impart fortitude in times of adversity, and offer solace to the heart when riddled by...

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...