Mahāmahopādhyāya Vidvān N. Ranganatha - Empathy and Research Papers

Feeling of Oneness

Sharma took interest in getting to know the progress in the life and career of the students who had graduated from the college with a vidvat. He made it a point to enquire about their well-being through his circle of acquaintances or by writing letters.

Yet another unique quality that we will need to recollect at this juncture is the commitment with which Sharma wrote letters. Today, the world has lost the practice of writing letters. With the usage of technology and computers, telegraphic messages are largely in vogue. Sharma, on the other hand, always wrote letters whenever he wanted to express his opinion about a certain subject or wanted to get information connected with a particular matter. Even when there was a possibility of contacting someone through phone, he preferred to write letters. A phone call was his final resort.

Any amount of appreciation and praise for the manner in which Sharma used to compose letters would be inadequate. His letters are always worth compiling.

Sharma often received letters from different places seeking clarifications pertaining to some aspect of a śāstra (and it was not limited to vyākaraṇa-śāstra alone). Sharma replied to all such letters immediately, without fail. (DVG who was held by Sharma in high esteem also followed this religiously; he replied in detail to all letters that came to him).

Sharma was always enthusiastic in heaping praises on another person. Many times, even in the instances where we might have found the writings of another person interesting and impressive, we hardly go to the extent of giving them any kind of feedback. Sharma, however, made sure that he conveyed his appreciation either through written correspondence or through a phone call. If the author was from a different place, he would procure the address of the person and write him a letter. Even after he crossed the landmark age of eighty, he did not give up this discipline.

When we bring all this to our minds, we often feel moved – the almighty is really gracious for having brought us in contact with a person of his calibre and nature.

As Sharma always felt himself to be a part of the bigger whole, these characteristic features came quite naturally to him.

Empathy

I would like to narrate an incident where Sharma subjected me to a viva-voce. I am quoting this incident to underscore the kind of care, interest, and empathy he extended to others.

Once he called me over phone saying that there was something important, he wanted to talk about. When I visited him, he said the following, “The responsibility of this institution (Gokhale Institute) is on your shoulders now. I wanted to know more about its management and thus have called you here. At the Institute, those women are working day and night – they are getting remunerated well, I hope? You have been paying them regularly from the time you appointed them, right? Have you made arrangements such that the pattern is never disturbed?” he asked.

This does not need much commentary.

No person associated with the Institute—neither donor nor member—had ever asked me such questions.

Where else can we find this kind of compassion and feeling for others?

The feeling of oneness he had with the Gokhale Institute is unforgettable. He was absolutely committed and involved in all its activities. For decades, his blessings have guided us.

~

It would be sufficient to recollect a certain incident to indicate his devotion to the Gokhale Institute. At the fag end his life, he had to shift his residence to Mysore. When his relocation was all set and he had got into the vehicle to head towards Mysore, he dropped by at the Institute. He spent a few minutes there and said, “I don’t think I will be able to have the darśana of this puṇya-kṣetra ever again. This might be the last darśana of this kṣetra for me. May God bless you all…!” His voice choked as he uttered these words. He then got into the car.

~

Everyone could see the kind of discipline he had in his day to day dealings.

For twenty-five years, he wrote a series of articles titled Sūkti-vyāpti for the monthly Utthāna. There was never a delay in his mailing of articles. Even when he was traveling, an envelope containing his article would land on my desk right at the expected moment.

Research Papers

Sharma has authored several papers on vyākaraṇa-śāstra-prakriyā – it was one of his areas of expertise.

His scholarly writings on Kannada-vyākaraṇa[1] are important contributions to the field. His thoughts on kāraka and vibhakti span over a hundred pages. His writings connected with the topics pañcamī-vibhakti and gamaka-samāsa are evidences of his mastery over the śāstra.

Perhaps there has never been such insightful writing on Kannaḍa-vyākaraṇa in the past. In his writings, he has not only touched upon the prakriyā[2] of Kannaḍa-vyākaraṇa but has also drawn our attention to the unique features of the spoken varieties of the Kannada language. There has never been such a thorough analysis of the different vibhaktis in the Kannada language. At the most, a large number of the technical works on Kannada grammar merely stated, ‘This usage is in vogue in Kannada,’ and nothing more.

 

Sharp Intellect

Though Sharma was soft and kind-hearted by nature, when he had to speak in defence of a śāstra or a value system, he never thought twice to invoke the spirit of kṣāttra, i.e., he would become aggressive. It is true that this was not his usual nature. But when the situation demanded him to be so, his adherence to truth came out in a powerful manner.

In a certain discussion related to the fundamental concepts related to the alaṅkāra-śāstra, the scholar Ranganatha Sharma gave up his usual soft and sweet nature and took to intense argument filled with logic. Even while the discussion was going on, it did not give him much pleasure. Back then, he often told me, “What kind of karma is this! I end up wasting my time pointing out flaws in someone else’s writings!”

But such a situation was an exception and it finally ended on a happy note. It led to a better relationship and harmony between the people involved. Nevertheless, the occasion also helped us witness the sharpness of Sharma’s intellectual prowess.

Sharma’s true nature lay in majesty and controlled speech. He displayed a lot of aucitya [3]even in vākyārtha-sabhās[4] and was magnanimous too. In a certain scholastic debate, a scholar found it difficult to reply to a particular argument. After the meeting was over, Sharma told his friends in private, “This was the possible solution to the argument that was going on there.” One of the friends asked him, “Wouldn’t it have given them clarity and led to a better conclusion if you had voiced this line of thought back there?” Sharma, the paṇḍita, replied, “The matter is related to another śāstra. It is not right on my part to speak about a śāstra that is not mine.”

 

Maturity

One of the features of people who possess profound scholarship is that they think straight into the topic and argue without any excesses or shortcomings. Sharma considered this kind of straightforwardness as an important quality. This is a virtue that needs to be appreciated from the point of view of good character and discipline. However, it is also possible that others might not find this adequate or convincing. At times, one could even feel that his stance was not relevant to the current times. A scholar will need to keep these aspects in mind while presenting his thought – he must be sure not to compromise on his philosophy and must present the matter in a manner in which it is pleasing and acceptable to the audience. This certainly is quite a delicate thing. Sharma had realised and internalised this aspect. Therefore, he put forth his ideas in a soft and gentle manner such that the audience could comfortably grasp his thought.

There were also a few stray instances where he ended up having a difference of opinion with other scholars. During such instances, Sharma did not think twice to put forth his honest opinion. Sharma, however, had a dictum that he had imposed on himself – even when the situation demanded an intense reaction from him, he would always keep in mind the stature and the background of the other person before replying. This characteristic trait of his is evidence of his maturity. It also shows how he had risen above dry scholarship and always had a holistic vision. He did not like excessive tarka – analytical argument. Speaking on paśu-vadha (animal sacrifice) and other practices of the past, he had once said, “Though the śāstra prescribes it to be performed, it is not right to do something that does not go well with people’s ways and manners today.” He often said this with firmness and conviction.

Sharma’s writings, which span thousands of pages, reveal his uncompromising adherence to the śāstras. His style of writing is simple and lucid and this enabled even the laymen to easily grasp his intent. On the other hand, his research articles such as those related to some of the most complex and debatable aspects of alaṅkāra-śāstra and Kannada-vyākaraṇa are so nuanced that they require even a scholar of the subject to invest some time to understand. They must read the essays multiple times and contemplate upon them to comprehend his arguments. His writings on ethics and values can be read by common readers who are interested in literature.

To be continued...

The current article is an English adaptation of the Kannada original which has appeared in the Dīptaśṛṅgagalu, authored by Nadoja Dr. S R Ramaswamy. Thanks to Sri Hari Ravikumar for his edits. Full form of the article is a part of 'A Tapestry of Pen Portraits' published by Prekshaa Pratishtana in December 2020.


[1] Grammar of the Kannada language.

[2] Conceptual methodology

[3] Appropriateness/ propriety

[4] Assemblies of scholarly debates related to a stream of śāstra.

 

Author(s)

About:

Nadoja Dr. S R Ramaswamy is a renowned journalist, writer, art critic, environmentalist, and social activist. He has authored over fifty books and thousands of articles. He was a close associate of stalwarts like D. V. Gundappa, Rallapalli Anantakrishna Sharma, V Sitaramaiah, and others. He is currently the honorary Editor-in-Chief of Utthana and served as the Honorary Secretary of the Gokhale Institute of Public Affairs for many years.

Translator(s)

About:

Arjun is a writer, translator, engineer, and enjoys composing poems. He is well-versed in Sanskrit, Kannada, English, Greek, and German languages. His research interests lie in comparative aesthetics of classical Greek and Sanskrit literature. He has deep interest in the theatre arts and music. Arjun has (co-) translated the works of AR Krishna Shastri, DV Gundappa, Dr. SL Bhyrappa, Dr. SR Ramaswamy and Shatavadhani Dr. R Ganesh

Prekshaa Publications

Karnataka’s celebrated polymath, D V Gundappa brings together in the eighth volume of reminiscences character sketches of his ancestors teachers, friends, etc. and portrayal of rural life. These remarkable individuals hailing from different parts of South India are from the early part of the twentieth century. Written in Kannada in the 1970s, these memoirs go beyond personal memories and offer...

Karnataka’s celebrated polymath, D V Gundappa brings together in the seventh volume of reminiscences character sketches of prominent scholars, businessmen, hoteliers, as well as of the laity. These remarkable individuals hailing from different parts of South India are from the early part of the twentieth century. Written in Kannada in the 1970s, these memoirs go beyond personal memories and...

Poets on Poetics: Literary Aesthetics Envisioned by Sanskrit Poets uncovers the tenets of literary theory conceptualized by masters from Bharata to Jagannātha that are embedded in the works of poets from Vālmīki to Nīlakaṇṭha-dīkṣita. Poets typically present their insights in the form of suggestive verses and rarely as an organized body of facts. Their exposition, inchoate though it might seem...

India is a land of stories. It is a fountainhead of various story-telling traditions of Greater India, Asia, and Europe. The now lost Bṛhat-kathā of Guṇāḍhya was an inexhaustible treasure-trove of stories that influenced generations of listeners. Somadeva’s Kathā-sarit-sāgara is a twelfth century Sanskrit retelling of this grand compendium. To read this work is to understand the heart of the...

Among the many contributions of ancient Indians to world thought, perhaps the most insightful is the realisation that ānanda (Bliss) is the ultimate goal of human existence. Since time immemorial, India has been a land steeped in contemplation about the nature of humans and the universe. The great ṛṣis (seers) and ṛṣikās (seeresses) embarked on critical analysis of subjective experience and...

One of the two great epics of India and arguably the most popular epic in the world, the Ramayana has enchanted generations of people not just in Greater India but the world over. In less than three hundred pages The Essential Ramayana captures all the poetic subtleties and noble values of the original and offers the great epic in an eminently readable form that will appeal to the learned and...

The Bhagavad-gītā isn’t merely a treatise on ultimate liberation. It is also a treatise on good living. Even the laity, which does not have its eye on mokṣa, can immensely benefit from the Gītā. It has the power to grant an attitude of reverence in worldly life, infuse enthusiasm in the execution of duty, impart fortitude in times of adversity, and offer solace to the heart when riddled by...

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...