The Awareness of Kshaatra at all levels

It is because the fundamental root of Hinduism is Adhyatma (spirituality, self knowledge, study and evolution of oneself) that we have been elaborating all this while on the awareness of kshaatra in the tradition of Sanatanadharma. In his work Indian Muslims: Who are they?, K S Lal discusses at length who the Indian Muslims are and what their origins are. On this subject, the earliest evidence we get is from Alberuni, a traveller who came to India during the time of Mahmud of Ghazni. He has left behind several records. Ghazni Mahmud told the Caliph, "Every time I invade India and attack the people, I will earn the title 'Ghazi'. I will make Dar-ul-Harb (the land of war, i.e. the land of the infidels) into Dar-ul-Islam (the land of Islam)." Ghazni's court scholar was Alberuni. It appears that he also learnt some Sanskrit. He says, "In matters of dharma, Hindus are different from us. In matters of faith and theology, they don't have too many differences in opinion. All their sectarian fights and quarrels are only verbal and never go to the extent of killing each other or usurping the other's property. They are different from us in every way. They have a sense of fear about us. Even so, they have prohibited marriage or any other sort of relationship with our people. They are forbidden to even eat or drink with us. In summary, when it comes to matters of dharma, the Hindus prefer to discuss about it peacefully. They believe in freedom of practising a chosen faith and give a lot of importance to evolution of the self. They harbour hatred against those who kill in the name of religion. They also keep away people who try to convert them."
 
In those days, it was nearly impossible to convert people to Islam through temptations, gifts, and sweet words; they had to use force and violence. Even a person from the lowest varna had firm belief in his dharma and his jati framework. A Christian missionary/traveller Govi says that nobody in India voluntarily converted to Christianity.
 
Marco Polo, who came two hundred years after Alberuni, says: "And about that race of Govis [also known as the Pariahs; down-trodden Dalits of Tamil Nadu], I should tell you that nothing on earth would induce them to enter the place where Messer St. Thomas is – I mean where his body lies, which is in a certain city of the province of Ma'abar [Tamil Nadu]. Indeed, were even 20 or 30 men to lay hold of one of these Govis and to try to hold him in the place where the Body of the Blessed Apostle of Jesus Christ lies buried, they could not do it!"
 
Sheikh Nizamuddin Aulia of the fifteenth century writes, "However much we preach our religion, the minds of these people are not influenced by Islam. Even those from the lowest jatis have firm belief in their dharma and pride in their jati; they simply refuse to convert to Islam."
 
Manucci writes, "The jati-paddhati has given them (Sanatanadharmis) a freedom and respect that no other establishment was able to give.
 
"Muslims from outside this land look upon Indian Muslims with disdain and scorn. Further, the Muslims who were converts from Hinduism were never placed in a high rank or given a top position. The higher officials were always blue-blooded Turks or Muslims from outside India. 
 
"Aurangzeb, in the position of Samrat, himself converted three kings by offering them great rewards; however, they were unhappy because after converting to Islam they received no respect. They regretted their actions. Therefore, it was impossible for people from lower varnas to find any equality under Muslim rule even if they converted."
 
Any conversion to Islam would happen only by the use of force and violence. During the reign of Akbar, several people returned to the Hindu fold. To stop this, during the time of Jehangir, life imprisonment was the punishment for apostasy. And by the time of Shahjahan, if anyone tried to commit the grave crime of returning to the Hindu fold, he was punished with death. 
 
We have several records and evidences to show that conversion was purely because of the force of the barbaric Islamic zealots and had little to do with the so-called caste system or the behaviour of brahmanas.
 
To protect the kshaatra-dharma of Bharata, people from all varnas, particularly the lower varnas, have toiled indefatigably. In another book, Growth of Scheduled Tribes and Castes in Medieval India, K S Lal gives evidences of which specific backward communities and lower varnas have toiled for the strengthening of Sanatana Dharma. He writes, "In Eastern India, the tribal populations such as the Garo, Rabhana, Meccha, Mikril, Liyingo, Lushayya, Khoch, Manipura, Naga, Miri, and Ahoms were all Hindus. 
 
"In Central India, warrior tribes like the Bhils, Gonds, Saharyas, and Haihayas or Chedis, as well as the Rajputs are all adherents of Hindu dharma. The Paramaras of Dhara, the Tonvars of Gwalior, the Khacchavahas of Narvad, the Rathores of Kannauj, the Chandelas of Kalinjar, all of them were Sanatanadharmis. The people respected them as sukshatriyas (noble kshatriyas).
 
"The Jats, Khobars, Gonds, Orvars, Yadavas, Mulas, Teras, Madigas, Maras, Mangas, Danagars, Salas, Gondals, Lambanis, Banjaras, Pinjaras, and other communities from Central and South India.
 
"Mali, Kacchi, Gadri, Dhakar, Telga, Sonar, Darji, Bhanda, Hajam, Navi and other groups are from Western India. Even in North India, there were several communities that were from the kshatriya lineages.
 
In Varanasi, the Brahmanas were slightly larger in number as compared to the Chammaras. In all other districts, the  Chammaras were larger in number. Chammaras were larger in number even in Rajasthan, Gujarat, Kutch, and in the South. There are a few instances of Brahmanas succumbing to pressure, seduction, and violence but the  Chammaras never allowed themselves to be infected by conversion. For example, in the district of Muzzaffarnagar, there are 29,000 Hindu Rajputs and 24,000 Muslim Rajputs according to the census. The Rajputs, who were solely in love with the lands they owned, converted to Islam in order to save their lands. For instance, when King Haradatta of the Northeastern kingdom of Bulanchar heard about the attack of Ghazni Muhammad, he felt that it is important to hold on the life that god has given him and so he agreed to convert; along with ten thousand people, he embraced Islam. But people from lower varnas did not agree to convert to Islam. Therefore, there is no group such as Muslim Chammaras in Uttar Pradesh."
 
Thus, the great scholar K S Lal has put together several records and presented them. Other notable scholars who have written about this include Sita Ram Goel and Arun Shourie.
 
In India, we call Patanjali, Vararuchi Katyayana, and Panini as the muni-traya (three great sages) of grammar; in the Shaankara-darshana School, we hail Gaudapada, Adi Shankara, and Sureshvara as the muni-traya; similarly, in the field of (alankara-shastra) Indian aesthetics, Bharata, Anandavardhana, and Abhinavagupta (or Kuntaka) are hailed as the muni-traya. In modern India, in matter pertaining to national importance, one can call Ram Swarup, Sita Ram Goel, and Arun Shourie as the muni-traya.
 
To be continued

Author(s)

About:

Dr. Ganesh is a 'shatavadhani' and one of India’s foremost Sanskrit poets and scholars. He writes and lectures extensively on various subjects pertaining to India and Indian cultural heritage. He is a master of the ancient art of avadhana and is credited with reviving the art in Kannada. He is a recipient of the Badarayana-Vyasa Puraskar from the President of India for his contribution to the Sanskrit language.

Translator(s)

About:

Hari is an author, translator, editor, designer, and violinist with a deep interest in philosophy, education pedagogy, literature, and films. He has (co-)written/translated and (co-)edited some forty books, mostly related to Indian culture.

About:

Sandeep Balakrishna is a writer, author, translator, and socio-political-cultural analyst. He is the author of "Tipu Sultan: The Tyrant of Mysore" and "The Madurai Sultanate: A Concise History." He translated Dr. S L Bhyrappa's magnum opus "Avarana" into English.

Prekshaa Publications

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An Introduction to Hinduism based on Primary Sources

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The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

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The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
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The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...