Monthly Magazines; GTA Press

It can be surely said that the rejuvenation of modern Kannada literature started during the regime of Krishnaraja Wodeyar III. The mahārāja offered shelter and patronage to several vidvāns (scholars). The scholars in his court—i.e. āsthāna-vidvāns—rendered their service to literature by translating into Kannada great works like Rāmāyaṇa, Mahābhārata, Bhāgavata, and other devotional texts (bhakti sahitya).

Subsequently during the regime of Chamarajendra Wodeyar X, Kannada literature got a touch of modernity. The monthly magazines of that time bears testimony to this. Some of the magazines that I can recollect from memory are –

1. Hitabodhinī, run by M Venkatakrishnayya, M S Puttana, and others

2-3. Karṇāṭaka Kāvyamañjarī and Karṇāṭaka Kāvya-kalānidhi, run by M A Ramanuja Iyengar and S G Narasimhacharya

4-5. Karṇāṭaka Granthamāle and Vidyādāyinī, established and run by M Shamaraya and Bapu Subbaraya.

The Vidyādāyinī magazine was appreciated not only by the teaching class but also by students. Inspired by it, many teachers began writing poems, songs, and articles. When I was in the Lower Secondary class, our headmaster Chandrashekara Shastri read out to our class a song written by his younger brother Erukaluve Subbashastri and taught the students to sing it. Recalling one of his travel experiences, D C Subbarayappa had written a heart-touching travelogue [in the Vidyādāyinī]. The magazine also used to publish model questions and answers to help students in the exams. In this manner, Vidyādāyinī was useful for many people.

In the Karṇāṭaka Granthamāle, essays, plays, and poetry of modern writers used to get published in parts [i.e. as a series].

Like this, many great works have come to light. Writings of Nanjangud Subba Shastri, Anantanarayana Shastri, and Srikanta Shastri; Karṇāṭaka Nāgānanda, Basavappa Shastri’s rendition of the Uttara-rāma-caritam, and other great works were published in series.

During the tenure of Chamarajendra Wodeyar X, the palace theatre company Śakuntalā was established and for that purpose Divan Rungacharlu had requested Basavappa Shastri to translate the Śākuntalā into Kannada. Around that time, people like Venkatakrishnayya, M S Puttanna, M B Srinivasa Iyengar, R Raghunatha Rao, and others began composing works in Kannada. In this manner, school books like Hindu Caritra-darpaṇa, Maisūru Caritra-sāra, and Bhū-vivaraṇā were also published.

GTA Press

The signs of modernity were further witnessed in the works of a publishing house by name GTA Press. The founders of this institution felt that it was the duty of every youth who had earned a bachelor’s degree or certificate (like B. A.) from a university to put efforts in spreading their knowledge and scientific learning among their own people. The prominent ones among such graduates included B Dasappa, C Ānanda Rao, C Subba Rao, M L Srikantesha Gowda, P Raghavendra Rao, Venkatasubbayya, and L Jayaraya. These men formed an institution called Graduates Trading Association Press (GTA Press) to accomplish their objectives. It was located in Mysore’s Doddapet in a big building near the place where the statue of Chamarajendra Wodeyar stands today [c. 1970]. It had two major branches – one was a printing factory and another was an outlet for selling books and writing materials.

I was a regular visitor to this bookshop in 1903-04 when I was a student in Mysore. I had two major attractions there. That was a time of Rupee-Anna-Pie[1]. On entering the shop, if you placed one anna on the desk, you would get pocket full of James biscuits. If you walked into the bookstore munching the biscuits, you would see books that were handy and neatly stacked together, each costing two to three annas. In the pretext of examining the books, one could sit there and read the whole book. Once in a while, every two or three days, one would purchase a book by paying two annas.

Like this I had a collection of poems of great poets like Tennyson, Longfellow, and others etc., which I held on for a long time. During that time, a book series called Universal Library published by the Castle Company was available for two-and-a-half annas. Similarly I bought some of the dramas of Shakespeare and read them.

GTA Press has started three major book series in Kannada – one on science, one on modern literature, and the third one on children’s literature.

In the science series, I recollect the following ones – Mining and Mineralogy by B Dasappa, Zoology by P Raghavendra Rao, Magic Lantern by M Srinivasa Rao, Psychology by Dr. P Venkoba Rao, Teaching Method by M. Hiriyanna. All these writing gave the essence of science in simple and lively Kannada by using suitable words in translation.

In the modern literature series, Shakespeare’s Hamlet, Pratāparudra (Macbeth), Rāmavarma-Līlāvatī (Romeo and Juliet), and Śūrasena Caritrè (Othello) were the most prominent.

In the third series, of children’s literature, the contribution of the GTA Press is appreciated until this day. W T Stead had published a series called Books for the Bairns in England.[2] GTA Press had published several of those books by translating them in to Kannada with his permission. Among them I have read Adventures of Robinson Crusoe [by Daniel Defoe], Gulliver’s Travels [by Jonathan Swift], Nirbhāgya Murāda [possibly a novel written by Bapu Subbaraya], Aesop’s Fables, and others. It was written in good Kannada with drawings in every page and was printed well. They were so attractive that if one picked it up in his hand, he would immediately open the book and read it completely.

Downfall of the GTA Institution

For almost fifteen years, the GTA Press performed well. What it accomplished in those years was the need of the hour and it did its tasks well. The cultured people appreciated the work of the press. Despite that, it declined; this is an instructive episode. The endeavour saw light of day at one point due to the realisation of modern scholars about their responsibility towards the society; all their efforts went in vain due to the lack of able leadership.

L Jayaraya was like the vital breath of this institution. He was enthusiastic, honest, and a visionary. Though lean and frail in appearance, he had all the qualities to accomplish the tasks at hand such as vigour, sensitivity, courteousness, and fortitude. He did not live to see old age. His death turned out to be the misfortune of the GTA institution.

In course of time, other members of the institution also distanced themselves from it. People like Ananda Rao, who translated Hamlet and C Subba Rao, who translated Othello also passed away. P Raghavendra Rao became the Private Secretary to the Mahārāja of Mysore; then he was appointed as an Excise Commissioner and later he also became a Council Member. B Dasappa joined the Department of Education. In some way or the other, the rest of them also left. Nobody of the calibre of Jayaraya came after him. The institution built with so much of enthusiasm collapsed.

There is a lesson for us to learn. Associations and organisations are born in huge numbers today. Each street has an association. This is a good thing. The birth and development of organisations reflect the presence of many enthusiastic and energetic persons among us. However the question is, how long and strongly do they continue the enthusiasm shown in the beginning? How long can they tolerate and face the struggle, loss of time, and reasons for disappointment?

Concern about livelihood is natural. On securing a job, we make all efforts to continue in it; all our energy and time is spent on getting promotions, increments, and pleasing seniors. Where is the time and enthusiasm for serving the institution? Like this in few years the organisation develops cracks and becomes wobbly.

There is another way to look at this. Is it necessary for an organisation to be permanent? Let it live as many days as it can. Let us benefit as much as possible from the organization during its lifetime. Even if it is active for a few years, it is beneficial to that extent.

This argument is also acceptable. One should be happy with it because a sign of devotion to public welfare even in a small measure is better than not having it at all.

However some large-scale activities are required to take place in society. Such mega-projects and activities of national and social importance may not be accomplished by a short-lived organisation. Large-scale projects require long term, continuous efforts as well as huge amounts of money. Such mobilisation of a large number of people and a huge amount of money and materials can be done only by big organisations. It must have the power of longevity, the sattva to be sustainable. This is the most important challenge facing large organisations today. How to identify competent and committed volunteers? How to bring about a consensus in them? It is not useful if the volunteers are enthusiastic but incompetent. It is not enough if they are competent but dishonest. Finding a combination of competence and integrity is not a common phenomenon. Shrewd people will have shrewd eyes as well. They cannot stay in one place constantly. If a competent and capable person endowed with devotion and persistence volunteers to work for an institution, then it is indeed an auspicious period for that institution.

This is an English translation of the first chapter of D V Gundappa’s Jnapakachitrashaale – Vol. 3 – Sahityopasakaru. Edited by Hari Ravikumar.

 

Footnotes

[1] This is the older system of currency that existed in India. 12 pies (kāsu in Kannada) made 1 anna (āṇè in Kannada); 16 annas made a rupee. In other words, a rupee was divided into 16 annas or 192 pies. 

[2] Stead, an enterprising journalist began a series for children that retold well-known stories and legends in simple language accompanied by beautiful illustrations.

Author(s)

About:

Devanahalli Venkataramanayya Gundappa (1887-1975) was a great visionary and polymath. He was a journalist, poet, art connoisseur, philosopher, political analyst, institution builder, social commentator, social worker, and activist.

Translator(s)

About:

Showri holds a master's degree in law and is a practicing advocate. He is a trustee of Vidyarthi Shikshana Seva and the Executive Managing Committee Member of Centre for Educational and Social Studies. His interests include literature, art, and classical music.

Prekshaa Publications

Among the many contributions of ancient Indians to world thought, perhaps the most insightful is the realisation that ānanda (Bliss) is the ultimate goal of human existence. Since time immemorial, India has been a land steeped in contemplation about the nature of humans and the universe. The great ṛṣis (seers) and ṛṣikās (seeresses) embarked on critical analysis of subjective experience and...

One of the two great epics of India and arguably the most popular epic in the world, the Ramayana has enchanted generations of people not just in Greater India but the world over. In less than three hundred pages The Essential Ramayana captures all the poetic subtleties and noble values of the original and offers the great epic in an eminently readable form that will appeal to the learned and...

The Bhagavad-gītā isn’t merely a treatise on ultimate liberation. It is also a treatise on good living. Even the laity, which does not have its eye on mokṣa, can immensely benefit from the Gītā. It has the power to grant an attitude of reverence in worldly life, infuse enthusiasm in the execution of duty, impart fortitude in times of adversity, and offer solace to the heart when riddled by...

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...