Ch. 12 Yoga of the steps of Bhakti (part 3)

This article is part 75 of 143 in the series Jīvana-dharma-yoga

Śrī Kanakadāsa, the great mystic, said this -

Ṣaḍurasadannakè nalidāḍuva jihvè । kaḍurucigoṃbuva ruciguṇa ninadayya ॥
(Yours is the tongue that enjoys food with six rasas;
yours is the nature that deeply relishes all tastes)

The beauty, the very essence of the things that are present in the universe, the senses that experience them, and their capability to discern and enjoy belong to Bhagavān.

annaṃ ca brahma । bhoktā ca brahma ॥
(Food is Brahma, the eater is Brahma).

Therefore,

brahmārpaṇaṃ brahma-haviḥ brahmāgnau brahmaṇā hutam ॥

BG 4.24

Therefore, one should experience pleasure with the feeling that the thing that is giving happiness, and one’s own energy that is experiencing pleasure are both the boons of Bhagavān. Bhagavān is the owner of everything, and I am a mere beggar — this is the common meaning of some of our traditional statements. Hindus first offer the food that is cooked, fruits and even flowers that are to be worn, to the divine. Only after that do they consume it themselves as prasāda. Muslims have this tradition (Bismillah) too; Christians also have Grace. Objects of pleasure are not one’s own, nor are they of one’s own earning. They belong to the Divine, who has given it to us as a boon. A man who enjoys worldly pleasures in this manner will never need to have apprehensions about his karma accruing pāpa. Even if the fruit of the karma is obtained from his karma — his own effort, he should not try to own it, that is karma-phala-tyāga. Thus, removing the connection of ego from the result and connecting Īśvara with it instead, is karma-phala-tyāga.

Thus, karma-phala-tyāga has four aspects : (1) Discernment about kartavya (2) equanimity about good or bad results (3) giving up the results to Kṛṣṇa (the mindset of Kṛṣṇārpaṇa) (4) acceptance of prasāda.

The summary of this discussion is to remember Bhagavān in times of happiness and think of it as his boon, and remember him in times of adversities and look upon them as training for the jīva.

Thus, the instruction is step-by-step. At its most advanced, it is worshipping the abstract. The second step is  resorting to the worship of Īśvara with form. The third step is the practice of the remembrance of Īśvara and the fourth is the practice of performing one’s duties for the love of Īśvara. The fifth is understanding Īśvara’s will.

Jñāna is at a higher level than practice; dhyāna is higher than jñāna; karma-phala-tyāga is better than dhyāna; from this renunciation of the fruit of karma results peace; peace itself is the ultimate fruit.

Abhyāsa is to believe an instruction that is received, and to follow it without independent questioning or reasoning. Jñāna is internalizing the instruction by deliberating upon and analyzing it. Dhyāna is having this guiding philosophy constantly in one’s sight. When the mind is fixed upon this principle, selfishness vanishes. Thus, when ego and attachment gradually lessen and the jīva offers itself completely to paramātma, peace is then readily obtained.

Bhakti has many outcomes — worldly pleasures, wealth, fame, long life, children, accomplishment of all desires, getting rid of hardships and misfortunes, waning of sins, obtaining svarga — thus there are many benefits. Above all, is Ātma-śānti — peace for the ātma. In the eight verses from “adveṣṭā sarvabhūtānāṃ” to “te’tīva me priyāḥ”, svāmī enunciates the qualities of devotees who perform bhakti for peace of mind, so that we keep them in mind.

adveṣṭā sarva-bhūtānāṃ:  does not hate anything or anyone;
maitraḥ:  friendly towards everyone;
karuṇa (eva ca): Merciful; friendship is between equals, compassion is for everyone;
nirmamaḥ : Doesn’t have the feeling of “mine”;
nirahaṅkāraḥ : Has lost self-centeredness ;
samaduḥkhasukhaḥ : is not exuberant in happiness or depressed in adversities, equanimous always;
kṣamī : Forgiving, behaves with wrongdoers as though they did not wrong him at all;
santuṣṭaḥ satataṃ : Always happy ;
yogī : has joined his mind with Bhagavān ;
yatātmā : Controls himself;
dṛḍha-niścayaḥ : overcomes his doubts with deliberation and analysis, and is a believer;
mayyarpitamanobuddhiḥ : Has offered his mind and intellect to the supreme Īśvara —
(yo) madbhaktaḥ : such a devotee of mine
sa me priyaḥ : is dear to me.
yasmānnodvijate lokaḥ : by whom the world is not perturbed; and
lokānnodvijate ca yaḥ : one who is not perturbed by the world;
harṣāmarṣabhayodvegairmuktaḥ yaḥ : One whose mind does not experience overpowering happiness, anger, fear or excitement —
sa ca me priyaḥ : Such a man is dear to me.
anapekṣaḥ : One who does not have any desires;
śuciḥ : impeccable inside and out;
dakṣaḥ : capable in discharging his duties ;
udāsīnaḥ : Does not worry about himself;
gatavyathaḥ : One whose mind is not depressed;
sarvāraṃbhaparityāgī : One who does not embark on ventures that are not for him, or are for selfish ends —
yo madbhaktaḥ sa me priyaḥ : Such a devotee is dear to me.
yo na hṛṣyati : One who is not given to excessive mirth;
na dveṣṭi : Does not hate anything or anyone;
na śocati : Does not grieve over anything;
na kāṅkṣati:  Does not desire anything;
śubhāśubha-parityāgī : Does not differentiate between auspicious and otherwise —
bhaktimān yaḥ sa me priyaḥ : Such a devotee is dear to me.
samaḥ śatrau ca mitre ca : One who is equally just with his enemies just as with his friends;
tathā mānāpamānayoḥ : Is not excited by felicitations or depressed by insults;
śītoṣṇa-sukha-duḥkheṣu:  Is similarly equanimous in all dualities of the world ;
saṅgavivarjitaḥ:  is not attached to any worldly relationship;
tulya-nindā-stutiḥ:  whose mind is calm and unperturbed by insult or praise ;
maunī:  Reduces empty speech and is engrossed in remembrance and dhyāna;
santuṣṭo yena kenacit:  Satisfied by the quality and quantity of whatever is available;
aniketaḥ:  Is not narrow-minded about his own home and hearth and his own people;
sthiramatiḥ:  is of firm mind —
bhaktimān me priyo naraḥ:  such a devotee is dear to me.
ye tu dharmyāmṛtamidaṃ yathoktaṃ paryupāsate:  Those who follow this instruction in dharma as it has been explained
śraddhadhānāḥ:  Are trusting and faithful;
matparamāḥ:  seek me Bhagavān alone —
bhaktāḥ te atīva me priyāḥ:  such devotees are my most beloved.

These eight verses are akin to the pot of amṛta obtained out of the ocean of milk that is the Gītā. Just as the verses about equanimity — “prajahāti yadā kāmān” were highly regarded by Mahatma Gandhi, the eight verses starting from “adveṣṭā sarva-bhūtānāṃ” were cherished by the Rt.Hon.V.S.Srinivasa Sastry. When he was tired of worldly affairs, when he suffered from anguish whether his work would continue or not, when people became furious with him for no reason at all, when his friends were depressed or when he felt agitated for whatever reason, Sri.Sastry would recall these verses. In particular, he would always say that the precept “tulya-nindā-stutiḥ” was a necessary quality for the public servants of our country. If you permit me to say so, Sri.Srinivasa Sastry had followed this ideal to the last letter.

Who can say to what extent we can practise the qualities of adveṣṭā, maitra, etc? I believe that if we recall these qualities again and again and try to follow them, Īśvara might bless us with compassion.

Summary

bhagavad-upāstiya lakṣyaṃ ।
saguṇamò nirguṇamò yuktam-ènè bhajakana- ॥
svagata-ruti-śakti-mitiyiṃ ।
nigaditam-arhatèyin-embudu dvādaśakaṃ ॥

The goal is to worship the Divine,
Should it be it with form or without it?
The twelfth chapter says that this depends on the inclination,
Energy, limit and proclivity of the worshipper.

sarvāntaḥsthaṃ prakṛti-rasikaṃ viśvalīlāvilāsaṃ ।
jīvotkarṣa-krama-naya-vidaṃ sānukaṃpaṃ śaraṇyam ॥
megha-śyāmākṛtiyoḻu taṭid-dīptivol torè netraṃ ।
vyaktāvyaktaṅgaḻa miḻitadiṃ sṛṣṭivol kṛṣṇa-rūpaṃ ॥

He who is the present within everything, whose pastime is the working of the universe
One who guides the jīva in its path elevation, compassionate, the refuge of all,
Whose eyes are like the flash of lightning in the body that is dark as a cloud
Whose form is both tangible and intangible, like creation itself.

Summary of the second hexade

prāṇāyāmādyanusan- ।
dhānagaḻindeka-lakṣya-doḻ mana-viripā ॥
dhyāna-sthita-bhaktigè ta- ।
ttvānubhavaṃ sulabham-èndu madhyamaṣaṭkam ॥

The middle sextet says that the experience
Of Brahma is easy for those who practise devotion,
Focusing and meditating upon it alone
By prāṇāyāma and other methods.

jīvaveṃ brahmaṃ svavaibhavada sukhavan-uṇè
sāvayava-dindāda veṣada vinodaṃ ।
ā vinodadi bhāgagoḻutè dharmada nayade
kevalātmavan-arasal-aduvè śubha-yogaṃ ॥

What is jīva? Brahma itself, when it takes a physical form
To experience the pleasure of its own grandeur.
Taking part in this drama, and plodding ahead in the path of dharma
In search of the Supreme ātma, that is beneficial.

sakala-hita-vicāraṃ satya-dharmādhikāraṃ ।
durita-vana-kuṭhāraṃ jīvitoddhāra-dhīraṃ ॥
śaraṇa-jana-vihāraṃ śānti-saukhya-prasāraṃ ।
kavi-budha-gala-hāraṃ kṛṣṇa-gītāvatāraṃ ॥

With thoughts are auspicious to everyone,
The supreme authority in Truth and dharma,
Akin to an axe to the forest of evil,
Adept in elevating all lives,
Dwelling always in the minds of its devotees,
Exuding peace and happiness,
The garland that adorns the necks of sages and wise men
Is the Gītā, imparted by Śrīkṛṣṇa.

To be continued...

The present series is a modern English translation of DVG’s Kendra Sahitya Akademi Award-winning work, Bhagavad-gītā-tātparya or Jīvana-dharma-yoga. The translators wish to express their thanks to Śatāvadhāni R Ganesh for his valuable feedback and to Hari Ravikumar for his astute edits.

Author(s)

About:

Devanahalli Venkataramanayya Gundappa (1887-1975) was a great visionary and polymath. He was a journalist, poet, art connoisseur, philosopher, political analyst, institution builder, social commentator, social worker, and activist.

Translator(s)

About:

Engineer. Lapsed blogger. Abiding interest in Sanskrit, religion, and philosophy. A wannabe jack-of-all.

About:

Mother of two. Engineer. Worshiper of Indian music, poetry, and art.

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சிவன். ராமன். கிருஷ்ணன்.
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Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

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Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

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Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...