Chapter 1. Yoga of Inconsiderate Compassion (Part 4)

This article is part 16 of 143 in the series Jīvana-dharma-yoga

The fault of Arjuna’s compassion is not just that it was indiscriminate and unexamined. It was mixed with ego. The self-delusion that he was responsible for deciding the nature of his dharma, that the others were fit for compassion, that the decision to fight the war was out of his own free will (see BG 18.58–59) was included in it.

Among the various forms of human relationship, compassion is indeed great. There are very few people in the world worthy of compassion but dharma applies to the whole world. Therefore, the appropriateness or inappropriateness of compassion has to be examined with due consideration given to dharma. Dharma is a conglomeration of many principles of which compassion is only one. A dhārmic person should consider other relevant principles during his course of action.

Compassion is natural whereas dharma is established by right judgment. The basis of compassion is nature whereas the basis of dharma is philosophical deliberation. Compassion that negates dharma can be disastrous. Therefore, when compassion manifests itself, it is necessary to examine and purify it in the light of philosophy. Thus, a study of the nature of dharma becomes pertinent.

Summary

ರಣಮಘಮೂಲಂ ಪ್ರಿಯಗುರು ।
ಹನನಕರಂ ಲೋಕಧರ್ಮಘಾತಕಮದರಿಂ ॥
ಧನುವಂ ಧರಿಸೆನೆನುತ್ತ।
ರ್ಜುನನಳುತಚ್ಯುತನಿಗೊರೆಯೆ ಮೊದಲಧ್ಯಾಯಂ ॥

War is the root cause of pāpa, causes elders and loved ones
To be killed, destroys the dharma of the world, therefore
I will not bear my bow, said Arjuna
To the Lord – thus finishes the first chapter.

Appendix: Dharma is Multifaceted

Many people think that dharma is a feast of lāḍus and cīroṭis. They do not feel that pepper chutney and ginger pickle are dharma. Arjuna is like them.

He is a good man. His virtues are something we generally praise but we do not know if viveka is part of it. Goodness unaccompanied by viveka cannot yield the intended result. In the feast of a man of discernment, there is a place for pepper rasam, just as there is a place for pāyasam. In the conduct of dharma, just like there is a place for compassion, there is a place for stone-heartedness.

vajrād-api kaṭhorāṇi mṛdūni kusumād-api
(Uttara-rāma-carita 2.7)

Arjuna had forgotten this. Just as nurturing life is dharma, there can be circumstances where killing also becomes dharma. Just as friendship is dharma, there are also circumstances where war becomes dharma. In the case of Sugrīva and Vibhīṣaṇa, friendship became dharma for Śrīrāma. In the case of Vālī and Rāvaṇa, killing became his dharma.

The essence of dharma is the elevation of the soul.  By following dharma, the soul should get trained and should elevate itself to at least a little higher state. The souls of Sugrīva and Vibhīṣaṇa were in a slightly more elevated state than those of Vali and Ravana. The training that they had to undergo had to be done through friendship. Vālī and Rāvaṇa lacked the qualifications to be trained through friendship in their current birth, so it was necessary for them to be reborn to acquire them. Some dirty clothes can be washed and cleaned. Some other dirty clothes cannot even be touched by water – fire is their refuge. The same can be said about bodies. This is the essence of the art and dharma of war.

After Hiraṇyakaśipu was killed, his son Prahlāda beseeched Narasiṃha to grant him salvation. The Supreme One replied –

triḥ-saptabhiḥ pitā pūtaḥ pitṛbhiḥ saha te’nagha। (Bhāgavata-purāṇa 7.10.18)
...pituḥ pūtasya sarvaśaḥ
madaṅga-sparśanenāṅga-lokān yāsyati suprajāḥ॥ (Bhāgavata-purāṇa 7.10.22)

The touch of the Supreme’s limbs is the panacea that cures the pāpī. Therefore, Bhagavān’s avatāra kills the pāpī, thereby freeing the soul from the prison of vice. This sort of killing, even though it looks cruel at the superficial level, it is not cruelty but compassion when examined subtly. It is the compassion of a wise man – like that of a surgeon.

Dharma has to occasionally take fierce forms – just as the hands of the father who feeds sweets might also have to give a slap. Just as a spank from the father is affection, just as the bitter medicine from the physician is compassion, so also is the war that is waged for the sake of dharma.

Dharma is not just the sound of festive bells, it is also the sound of lions’ roar.  The call of dharma is not just for feminine affection but also for masculine brave-hearts. Our people should understand this well. After pepper has finished its job, black gram can take its place. After war has finished its work, compassion and affection can find their places. After the stick of the teacher has worked its magic, the disciple will win prizes. Bhagavān himself has indicated this –

yat-tad-agre viṣam-iva pariṇāme’mṛtopamam। (BG 18.37)

Neem always comes before jaggery.

duḥkham-ity-eva yat-karma kāya-kleśa-bhayāt tyajet। (BG 18.8)
na dveṣṭy-akuśalaṃ karma kuśale nānuṣajvate। (BG 18.10)

We should not give up a job because it is tedious. It should not be avoided just because it is difficult for the body. An activity should not be shunned because it is difficult or disagreeable; neither should it be adhered to because it is delightful.

It is enough if a job is dharma. Whatever it is, it has to be finished – that is the purport of this chapter. It is not right to eye the results, whether they are good or bad, attained or not attained.

Like the Pitāmaha Brahmā, dharma can also be visualized as having four faces. It is said that Brahmā recites the four Vedas through his four mouths. Dharma, with its four mouths, will teach these four duties – (1) nurturing of the ātmā, (2) purification of the ātmā, (3) understanding the true nature of Self, and (4) benevolence towards the world. Among the above, purification of the ātmā is tapas. It cannot be achieved by short-cuts. Like Śiva, it has a terrific form; it performs the fearsome tāṇḍava dance; it drinks the hālāhala. Arjuna’s eyes beheld this fierce form of dharma in front of him at Kurukṣetra. It needed a courageous heart not feminine yearning. It needed virility. That is why Bhagavān’s advice was replete with instructions to be valorous and heroic.

ಮೃದಲಂ ಪುಷ್ಪದವೋಲದೊಮ್ಮೆ ಶಿಲೆವೋಲ್ ಇನ್ನೊಮ್ಮೆ ತಾಂ ನಿಷ್ಠುರಂ ।
ನದಿವೋಲ್ ಧಾರೆಯದೊಮ್ಮೆ ವಂಕಗತಿ ತಾಂ ಮತ್ತೊಮ್ಮೆ ಗುಪ್ತಸ್ರವಂ ॥
ಮಧುವೋಲ್ ಸ್ವಾದುವದೊಮ್ಮೆ ಶುಂಠಿವೊಲೆ ತೀಕ್ಷ್ಣಂ ಮತ್ತೆ ನೋಡಿಂತು ನೂರ್
ವಿಧ ರೂಪಂಗಳ ತಾಳ್ವುದೀ ಜಗದಿ ಧರ್ಮಂ ಜೀವಭೇದೋಚಿತಂ ॥

Soft as a flower now, hard as a rock then, rigid at another time
Flowing continuously like a river now, meandering then, and then hidden
Sweet as honey now, pungent as ginger then, behold thus, dharma takes
A hundred forms in this world, suited for various souls.

ಮನುಜಾನುಭವಪ್ರಾಜ್ಞನನುಕಂಪಾರ್ದ್ರಲೋಚನಂ
ಘನಶ್ಯಾಮಂ ಕ್ಷಮಾಧಾಮಂ ಶರಣ್ಯಂ ಕೃಷ್ಣನಾವಗಂ ॥

One who is cognizant of human experiences, his eyes moist with sympathy
Dark as a cloud, the abode of mercy – he, Kṛṣṇa, is our refuge always.

Thus Concludes Chapter 1.

The present series is a modern English translation of DVG’s Kendra Sahitya Akademi Award-winning work, Bhagavad-gītā-tātparya or Jīvana-dharma-yoga. The translators wish to express their thanks to Śatāvadhāni R Ganesh for his valuable feedback and to Hari Ravikumar for his astute edits.

Author(s)

About:

Devanahalli Venkataramanayya Gundappa (1887-1975) was a great visionary and polymath. He was a journalist, poet, art connoisseur, philosopher, political analyst, institution builder, social commentator, social worker, and activist.

Translator(s)

About:

Engineer. Lapsed blogger. Abiding interest in Sanskrit, religion, and philosophy. A wannabe jack-of-all.

About:

Mother of two. Engineer. Worshiper of Indian music, poetry, and art.

Prekshaa Publications

Karnataka’s celebrated polymath, D V Gundappa brings together in the eighth volume of reminiscences character sketches of his ancestors teachers, friends, etc. and portrayal of rural life. These remarkable individuals hailing from different parts of South India are from the early part of the twentieth century. Written in Kannada in the 1970s, these memoirs go beyond personal memories and offer...

Karnataka’s celebrated polymath, D V Gundappa brings together in the seventh volume of reminiscences character sketches of prominent scholars, businessmen, hoteliers, as well as of the laity. These remarkable individuals hailing from different parts of South India are from the early part of the twentieth century. Written in Kannada in the 1970s, these memoirs go beyond personal memories and...

Poets on Poetics: Literary Aesthetics Envisioned by Sanskrit Poets uncovers the tenets of literary theory conceptualized by masters from Bharata to Jagannātha that are embedded in the works of poets from Vālmīki to Nīlakaṇṭha-dīkṣita. Poets typically present their insights in the form of suggestive verses and rarely as an organized body of facts. Their exposition, inchoate though it might seem...

India is a land of stories. It is a fountainhead of various story-telling traditions of Greater India, Asia, and Europe. The now lost Bṛhat-kathā of Guṇāḍhya was an inexhaustible treasure-trove of stories that influenced generations of listeners. Somadeva’s Kathā-sarit-sāgara is a twelfth century Sanskrit retelling of this grand compendium. To read this work is to understand the heart of the...

Among the many contributions of ancient Indians to world thought, perhaps the most insightful is the realisation that ānanda (Bliss) is the ultimate goal of human existence. Since time immemorial, India has been a land steeped in contemplation about the nature of humans and the universe. The great ṛṣis (seers) and ṛṣikās (seeresses) embarked on critical analysis of subjective experience and...

One of the two great epics of India and arguably the most popular epic in the world, the Ramayana has enchanted generations of people not just in Greater India but the world over. In less than three hundred pages The Essential Ramayana captures all the poetic subtleties and noble values of the original and offers the great epic in an eminently readable form that will appeal to the learned and...

The Bhagavad-gītā isn’t merely a treatise on ultimate liberation. It is also a treatise on good living. Even the laity, which does not have its eye on mokṣa, can immensely benefit from the Gītā. It has the power to grant an attitude of reverence in worldly life, infuse enthusiasm in the execution of duty, impart fortitude in times of adversity, and offer solace to the heart when riddled by...

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...