Hanagal Virupaksha Shastri: Scholarship and Method of Instruction

This article is part 2 of 4 in the series Hanagal Virupaksha Shastri

Lessons in Brahmasutra Commentary

I had requested Sri Shastri to instruct me in [Adi Shankara’s] commentary on the Brahmasutras[i]. Equally, I had requested him to train me in two or three other Vedanta commentaries that I hadn’t seen so far, and entreated him that I had set aside two years for this Shastric study. He said that that period was insufficient. I said, “Let it go on for two years; if required, we can extend it for an additional six months.”

Lessons in Upanishad-commentaries everyday from eight thirty to eleven in the morning; training in the Brahmasutra commentary from three thirty to six in the afternoon. This was the typical timetable although it couldn’t be implemented on several days.

Veerakesari Sitaramashastri

I feel extremely happy to recall here that during my training in the commentaries on the Brahmasutras, “Brahmashri,” “Vedamurti,” “Veerakesari” Sitaramashastri favoured me by becoming my classmate. Around that time, he had written an introductory work on Tarka (Logic) in Kannada. He had read out some portions from it to me. I had requested him that if he completes and publishes it, it’d be a great service.

The hundreds of mistaken notions among our people regarding various subjects are root cause of today’s chaotic political state and economic mess. Those who wish to clean up the nation’s public life first need to inculcate among our people the practice of developing the wisdom of analyzing cause and effect [of various issues and events]. Logic is one subject that aids such analyses.

Scholarship in Tarka

Sri Virupaksha Shastri had earned worldwide renown as a towering Pundit in Tarka.

We can estimate the sort of easy authority that he commanded in Tarka from just one instance. In the lessons on Vedanta, arguments from different schools like Sankhya and Vaisheshika are considered for analysis. After introducing each of these schools separately, Sri Shastri would say, “According to our school, that is, not in the Tarka school but Vedanta school…” and would then proceed to elucidate.

In the initial days, he was renowned as a TArkika (Logician), which is why he obtained the “TarkapanchAnana” honorific. Thanks to the impact of the Sringeri Jagadguru, Vedanta obtained the pedestal that Tarka had occupied so far.

Propriety

Sri Virupaksha Shastri was endowed with integrity and spotless conduct in all matters. He’d never speak with either arrogance or jealous anger. He must speak the truth that lay in his soul and he must speak it fearlessly—this was his nature. He’d never bow his head down before any authority where it involved speaking the truth. Because everyone was aware of this, nobody was upset with him and everybody had reverence and respect towards him.

Backyard of a Traditional Indian Home. Image Courtesy: Google Image Search

Sri Shastri was endowed with compassion towards all. He had experienced poverty, hardship, sickness and death in his personal life. His mind had become tender and gentle in this manner. As we noted earlier, my lessons were slated to begin at eight thirty in the morning. When I reached the Matha at exactly that hour, at times, it wasn’t possible for Sri Shastri to arrive on time. Some days, the delay would extend up to a half or three quarters of an hour. And so, on one such day of extreme delay, he said:

“Please listen, we speak about our family, our home. And in our home, no matter who behaves in what manner, no matter what they do…if we’re blind to all this, that’s a happy family, everyone’s happy. But the moment one begins to speak about Dharma at home, it’s no longer home, it’s an insane asylum.”

It appears that even he underwent this sort of experiences on occasion.

Guruvandana: Paying Obeisance to the Guru

Each time we assembled for our lessons and the moment Sri Shastri arrived, he’d ask, “Is Guru Vandana finished?” He wouldn’t be satisfied if I said, “Finished.”

“Let’s perform it once more—there’s no harm,” he’d say. Then, we—including him—would perform the SAshtAnga PranAma[ii] ten or twelve times before the Guru’s picture. In his lexicon, a count of “one” meant twelve prostrating times. Back then, I hadn’t yet become a barrel. Yet, Sri Shastri’s Guru Vandana procedure was physically arduous. But it appeared that the strain didn’t show on him. And the same Guru Vandana was repeated after the lessons were over for the day. As the days of Anadhyayana[iii] neared, a special Guru Vandana was scheduled! My limbs would fail.

After Guru Vandana and before the daily lessons began, “Sandhya Vandanam is completed, right?” Then came the question of Guru Vandana. Next:

V: “Yesterday’s lesson…it’s on your tongue-tip, right?”

Me: “I’ve seen it somewhat.”

V: “You’ve seen the text of today’s lessons, right?”

Me: “I’ve seen it a couple of times.”

The lessons would then begin.

My Difficulty

And so as it transpired like this: the questions about the previous and next day’s lessons, I finally made up my mind to tell him the truth. I said:

“I’m not studying this Shastra to become an authority. I’ll be content if I study enough to get an overall direction on the subject. It’s my fortune if I understand the overall methodology of the Shastra. My profession is different. I’m in politics; I’m working as a journalist. The subjects relevant to my profession and livelihood are political science and economics. Lots of new developments and theories arise in these subjects. New books are published each week. I need to read them. It’s impossible for me to obtain a command over Vedanta texts like a Pundit does. Neither do I have that desire.”

Sri Shastri listened to this patiently, took pity: “We’ll complete it as soon as possible.”

Despite this, he relaxed neither the procedure of Guru Vandana nor that of questioning about the lessons.

I couldn’t learn under him for sometime due to a tragedy in my home. Except for this, Sri Shastri’s regard for me was consistent.

Method of Instruction

How does one describe Sri Shastri’s method of instruction? He would narrate the explanations in Kannada. He would also use some English words in between. He would give illustrations from familiar situations like say, a rail journey. He would quote examples from [Sanskrit] poetry.

On occasion, he quoted an instance from the Champu Bharata while expounding on the nature of Maya [Illusion]:

“We must deduce that Draupadi was indeed endowed with a waist by using the method of inference. The upper and the lower part of the body were joined. Therefore, the head and the feet belong to the same body. And therefore further, that there must be an organ that joins both of them—we infer thus from the logic of concordance and discordance [Anvaya Vyatireka Tarka]. It was such a slender waist that we don’t know whether there really was a waist!

Maya is akin to this. Does it exist? No. Doesn’t it exist? Yes.”

This is a small sample of Sri Shastri’s method of instruction.

Sri Shastri had studied all the Kavyas and Puranas. Along with it, he was well-versed in traditional manners, which came from his expansive interactions with scholars. When he sat for imparting Vedic recitation, it appeared that he was a GhanapAThi. Such was the purity of his voice and his intonation of the udAttA and anudAtta[iv].

A Similie

On occasion, Sri Virupaksha Shastri used to narrate humorous tales in the flow of his lessons. He narrated this while explaining renunciation:

“You see, our tummy bloats up for some reason, making weird noises. Then we figure out: if we take an enema, the heaviness will disappear and the body becomes light again. Let’s sip a drop of castor oil and then wait for the ejection. It’s nine or ten but the heaviness remains. The oil just sits there in the tummy. Let’s say it’s eleven. Then we think: ‘This won’t work like this. We’ll finish our bath and Sandhya Vandanam and have lunch. The heat from the food will melt the impurity in the body and then the heavy stuff will slip out.’ And after such deliberations, when we finish our bath, dry our body and we’re about to sit for Sandhya Vandanam wearing the Sacred Garments, it announces its arrival! All that bath is completely wasted!

“Renunciation is exactly like this. Family, hardship, loans, embarrassments…after experiencing all these, we feel, ‘I’ve had enough of family life.” Then we go to the Guru, beseech him to bestow the Sanyasi’s attire and even as we’re getting our head shaved, the worries of wife and children enter our head: ‘I need to go away from such a good wife, such good children—my children are so brilliant! Why should I go away leaving them all!’

“Six months of renunciation vanishes in an instant.

“That’s the reason our renunciation is unreliable. Renunciation occurs the moment there’s loan and hardship. And the moment we spot a good sari, it flies away.

“It’s because of this that the Sringeri Jadadguru would never give Sanyasa to anyone. If somebody approached him for it, he’d say, ‘Just live like a Sanyasin. What’s there in it to give? It’s not something that one gives. Eat at the Matha. Serve Goddess Sharada. Listen to Puranas. Stay worriless. Isn’t that the meaning of Sanyasa?’ Despite this, if someone insisted, he’d say, ‘One shouldn’t trust the renunciation that occurs quickly.’

“Therefore, one shouldn’t be hasty for renunciation. One must examine whether the renunciation will remain steadfast and firm over a long period.”

To be continued...

This episode is a part of the iconic D.V. Gundappa’s series of pen portraits in the volume titled Vaidikadharma Sampradaayastharu (Traditional Vedic Scholars) forming part of his acclaimed Jnapaka Chitrashaale (The Art Gallery of Memories).


Footnotes

[i] Brahmasutras is a Sanskrit text attributed to Sage Badarayana. It systematizes and summarizes the philosophical and spiritual concepts embedded in the Upanishads and is considered as one of the foundational texts of Vedanta. All major Gurus, philosophers, and spiritual leaders in Hinduism including Adi Shankara, Madhvacharya, Ramanujacharya, Nimbaraka, and Vallabha have written commentaries upon it.

[ii] Lying completely prostrate on the ground with the entire body in a straight line.

[iii] Specific days during a year on which no lessons were taught.

[iv] Vedic accent comprises three parts: udAtta=”raised” or acute accent; anudAtta=”not raised” or “grave” or low accent; and svarita=”sounded” or circumflex accent.

Author(s)

About:

Devanahalli Venkataramanayya Gundappa (1887-1975) was a great visionary and polymath. He was a journalist, poet, art connoisseur, philosopher, political analyst, institution builder, social commentator, social worker, and activist.

Translator(s)

About:

Sandeep Balakrishna is a writer, author, translator, and socio-political-cultural analyst. He is the author of "Tipu Sultan: The Tyrant of Mysore" and "The Madurai Sultanate: A Concise History." He translated Dr. S L Bhyrappa's magnum opus "Avarana" into English.

Prekshaa Publications

Among the many contributions of ancient Indians to world thought, perhaps the most insightful is the realisation that ānanda (Bliss) is the ultimate goal of human existence. Since time immemorial, India has been a land steeped in contemplation about the nature of humans and the universe. The great ṛṣis (seers) and ṛṣikās (seeresses) embarked on critical analysis of subjective experience and...

One of the two great epics of India and arguably the most popular epic in the world, the Ramayana has enchanted generations of people not just in Greater India but the world over. In less than three hundred pages The Essential Ramayana captures all the poetic subtleties and noble values of the original and offers the great epic in an eminently readable form that will appeal to the learned and...

The Bhagavad-gītā isn’t merely a treatise on ultimate liberation. It is also a treatise on good living. Even the laity, which does not have its eye on mokṣa, can immensely benefit from the Gītā. It has the power to grant an attitude of reverence in worldly life, infuse enthusiasm in the execution of duty, impart fortitude in times of adversity, and offer solace to the heart when riddled by...

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...