The Reverence Accorded to the Bhagavad-gītā - Part 1

A popular dhyāna-śloka (benedictory verse) for the Bhagavad-gītā is as follows:

bhīṣma-droṇa-taṭā jayadratha-jalā gāndhāra-nīlotpalā

śalya-grāhavatī kṛpeṇa vahanī karṇena velākulā |

aśvatthāma-vikarṇa-ghora-makarā duryodhanāvartinī

sottīrṇā khalu pāṇḍavai raṇa-nadī kaivartakaḥ keśavaḥ ||[1]

 

The Pāṇḍavas crossed this great war-river –

of which Bhīṣma and Droṇa were its banks

Jayadratha, the flowing water

Śakuni, the blue lily

Śalya, the whale

Kṛpa, the water current

Karṇa, the turbulent waves

Aśvatthāma and Vikarna, the ferocious crocodiles

Duryodhana, the whirlpool

with the help of the boatsman Kṛṣṇa

The aforementioned verse suggests that the different characters that appear in the Kurukṣetra War embody various mental attitudes. Looking at the grandeur of the Epic, we can infer that the Mahābhārata is not merely a tale of war but is imbued with variegated and profound intentions.

Svāsthya-sthāpanā – Establishment of Equanimity

A superficial view of the praise of kṣātra and warring tendencies appear to be an exalted worship of strength and power, but in truth it helps even out differences. The world manifests itself because of the constant competitive play of the three primordial qualities of sattva (benign goodness), rajas (endless activity), and tamas (deluded lethargy). The undulations must be ironed out from time to time for the establishment of svāsthya, or equanimity. This sort of effort to bring svāsthya to the society is figuratively described as a war. The word ‘krānti’ also suggests the same. The meaning of the word ‘krānti’ is ‘gradually progressing towards a central goal.’ The Ultimate is to have ‘divinity’ as the central goal. Only when we understand this fundamental truth can we comprehend the karma-yoga principles propounded in the Gītā. This will also throw light on the universality of the concept.

The adherence to sva-dharma (natural inclination, innate tendencies) of every individual is responsible for his/her development and also bolsters the smooth running of the world.[2] This teaching of the Bhagavad-gītā is, in sum, called karma-yoga. The formulation of this concept includes the dimensions of individual, society, and nation; because of this, it becomes the responsibility of the governments of each era to facilitate people from all sections of society to adhere to their sva-dharma. When this establishment is disturbed either by internal causes or external forces, kṣātra-dharma comes into play to re-establish equanimity in the society by driving away the imbalance. All types of governance ultimately come under kṣātra-dharma.

It is only when the government is competent that development can take place. By development it is meant the greater and greater manifestation of inner goodness. If the society is disorganized, this process of manifestation of inner goodness is impossible.

Cool Waters of Solace

Our ancestors perceived the Bhagavad-gītā primarily as a treatise of the Ultimate Reality. The reason for this is perhaps the absence of major perturbations in society of those eras.[3] As centuries passed, however, people became aware of more intricate dimensions of the teachings of the Gītā. In the last century or two, due to the large scale weakening of traditional beliefs and the complications of human relations, the Bhagavad-gītā serves as a much-needed source of solace and hope. The possibility of this [solace] has always been inherent in the Gītā. What has changed is merely the mental attitude of people. The holistic vision of the Gītā, which transcends time and place, has been established quite a long time back. It is the hallmark of great literature to reveal newer and newer layers of meaning in every era. It is in this background that the Gītā has changed from being merely a mokṣa-śāstra (a scripture for ultimate release) to being a nitya-jivana-śāstra (a treatise on daily life). The establishment of dharma lies at the heart of the teaching of the Gītā and therefore it is natural that people like Lokmanya Tilak, Aurobindo Ghose, and others were attracted to the work. The Gītā became a pillar of support to instil in the hearts of people this feeling: While it is a practical inevitability to throw away foreign yokes, it is also a dhārmic responsibility. It is not merely by chance that the Gītā took its birth on the battlefield. The war between the divine and the demonic provided the impulse for the origin of this work. This sort of conflict between opposites is present at all times. One will need to constantly look for means to deal with these dichotomies and to overcome them. The Bhagavad-gītā provides a clear pathway to achieve this. It is because of this reason that it has been revered greatly for centuries.

Inner War, Outer War

The stability of the world and the growth of an individual are both possible only through the path of dharma. Adherence to timeless values is dharma, after all. If a war is inevitable for the establishment of long-lasting peace, it is not just noble to fight the war but is in fact sinful to refrain from fighting – this is amply clear from the Gītā.[4] It is evident that the aforementioned approach is applicable in same measure to the inner conflicts of elevated and baser tendencies.

The human life is indeed a Kurukṣetra. The conflict that took place on the battlefield back then is what constantly transpires within an individual, every single day. The war is merely an external manifestation of this inner conflict. One can merely try to bring those conflicts under control but can never do away with them. In the external realm, to control these inevitable conflicts, people and the government both play a major role. The very purpose of kṣatriya dharma is the protection of the state. The entire society can live in peace only if the kṣatriya class perform their sva-dharma well.[5] This eternal truth was reiterated by Kṛṣṇa in the Bhagavad-gītā. It is only through kṣātra that brāhma can be protected. The Bṛhadāraṇyakopaniṣad says –

tasmāt kṣatriyāt paraṃ nāsti[6]

Therefore there’s nothing greater than kṣātra dharma

History has shown that public life has degenerated every time there has been imbalance between the material and the spiritual worlds. In the Western conception of the world, nationalism is strictly transactional. However, the Indian conception of nationalism is all-inclusive and consists of the three cardinal values – karma (working without attachments), bhakti (devotion to the supreme), and jñāna (emphasis on wisdom). The Bhagavad-gītā teaches a nationalism that is rooted in spirituality. As a result of Kṛṣṇa’s teaching, Arjuna’s confusions and attachments disappeared and wisdom blossomed in its place. Kṛṣṇa, the yogeśvara (the master of yoga) and Arjuna, the dhanurdhāri (the wielder of the bow) came together for universal welfare.

To be continued...

 

Footnotes

[1] भीष्मद्रोणतटा जयद्रथजला गान्धारनीलोत्पला

शल्यग्राहवती कृपेण वहनी कर्णेन वेलाकुला।

अश्वत्थामविकर्णघोरमकरा दुर्योधनावर्तिनी

सोत्तीर्णा खलु पाण्डवै रणनदी कैवर्तकः केशवः॥

Note: Most of the footnotes in this essay have been added by the translators.

[2] It must be remembered that sva-dharma refers to the natural, untutored aspect of one’s personality; it does not, however, refer to either the basic instincts or the animalistic tendencies possibly latent in a person.

[3] A study of Indian history indicates that our ancestors—across India—largely seemed to have enjoyed the luxury of peace in society during the period preceding tenth century CE. But in later times, particularly in the past couple of centuries, it is imperative that we see the Bhagavad-gītā primarily as what D V Gundappa calls ‘Jīvana-dharma-yoga’ (loosely translates to ‘Path of right living.’) It is most valuable to us when we see it as a practical guide to life.

[4] dharmyāddhi yuddhācchreyo’nyat kṣatriyasya na vidyate || – Gītā 2.31

(धर्म्याद्धि युद्धाच्छ्रेयोऽन्यत् क्षत्रियस्य न विद्यते॥)

“There is nothing superior for a kṣatriya than a war fought for preserving dharma!”

atha cet-tvam-imaṃ dharmyaṃ saṅgrāmaṃ na kariṣyasi |

tataḥ sva-dharmaṃ kīrtiṃ ca hitvā pāpam-avāpsyasi || – Gītā 2.33

(अथ चेत्त्वमिमं धर्म्यं सङ्ग्रामं न करिष्यसि।

ततः स्वधर्मं कीर्तिं च हित्वा पापमवाप्स्यसि॥)

“Now if you don’t fight in this battle sanctioned by dharma, you will be making the sin of ignoring your sva-dharma and your honour.”

[5] Any individual with a natural aptitude for warfare, governance, politics, administration, and management is termed a kṣatriya.

śauryaṃ tejo dhṛtir-dākṣyaṃ yuddhe cāpy-apalāyanam |

dānam-īśvara-bhāvaś-ca kṣātraṃ-karma sva-bhāvajam ||  – Gītā 18.43

(शौर्यं तेजो धृतिर्दाक्ष्यं युद्धे चाप्यपलायनम्।

दानमीश्वरभावश्च क्षात्रंकर्म स्वभावजम्॥)

“Valour, brilliance, fortitude, skill, courage (literally, ‘not running away from the battlefield’), generosity, and lordly disposition are the basic traits of kṣatriyas.”

[6] “तस्मात् क्षत्रियात् परं नास्ति”  – Bṛhadāraṇyakopaniṣad 1.4.11

Author(s)

About:

Nadoja Dr. S R Ramaswamy is a renowned journalist, writer, art critic, environmentalist, and social activist. He has authored over fifty books and thousands of articles. He was a close associate of stalwarts like D. V. Gundappa, Rallapalli Anantakrishna Sharma, V Sitaramaiah, and others. He is currently the honorary Editor-in-Chief of Utthana and served as the Honorary Secretary of the Gokhale Institute of Public Affairs for many years.

Translator(s)

About:

Hari is an author, translator, editor, designer, and violinist with a deep interest in philosophy, education pedagogy, literature, and films. He has (co-)written/translated and (co-)edited some forty books, mostly related to Indian culture.

About:

Arjun is a writer, translator, engineer, and enjoys composing poems. He is well-versed in Sanskrit, Kannada, English, Greek, and German languages. His research interests lie in comparative aesthetics of classical Greek and Sanskrit literature. He has deep interest in the theatre arts and music. Arjun has (co-) translated the works of AR Krishna Shastri, DV Gundappa, Dr. SL Bhyrappa, Dr. SR Ramaswamy and Shatavadhani Dr. R Ganesh

Prekshaa Publications

Karnataka’s celebrated polymath, D V Gundappa brings together in the eighth volume of reminiscences character sketches of his ancestors teachers, friends, etc. and portrayal of rural life. These remarkable individuals hailing from different parts of South India are from the early part of the twentieth century. Written in Kannada in the 1970s, these memoirs go beyond personal memories and offer...

Karnataka’s celebrated polymath, D V Gundappa brings together in the seventh volume of reminiscences character sketches of prominent scholars, businessmen, hoteliers, as well as of the laity. These remarkable individuals hailing from different parts of South India are from the early part of the twentieth century. Written in Kannada in the 1970s, these memoirs go beyond personal memories and...

Poets on Poetics: Literary Aesthetics Envisioned by Sanskrit Poets uncovers the tenets of literary theory conceptualized by masters from Bharata to Jagannātha that are embedded in the works of poets from Vālmīki to Nīlakaṇṭha-dīkṣita. Poets typically present their insights in the form of suggestive verses and rarely as an organized body of facts. Their exposition, inchoate though it might seem...

India is a land of stories. It is a fountainhead of various story-telling traditions of Greater India, Asia, and Europe. The now lost Bṛhat-kathā of Guṇāḍhya was an inexhaustible treasure-trove of stories that influenced generations of listeners. Somadeva’s Kathā-sarit-sāgara is a twelfth century Sanskrit retelling of this grand compendium. To read this work is to understand the heart of the...

Among the many contributions of ancient Indians to world thought, perhaps the most insightful is the realisation that ānanda (Bliss) is the ultimate goal of human existence. Since time immemorial, India has been a land steeped in contemplation about the nature of humans and the universe. The great ṛṣis (seers) and ṛṣikās (seeresses) embarked on critical analysis of subjective experience and...

One of the two great epics of India and arguably the most popular epic in the world, the Ramayana has enchanted generations of people not just in Greater India but the world over. In less than three hundred pages The Essential Ramayana captures all the poetic subtleties and noble values of the original and offers the great epic in an eminently readable form that will appeal to the learned and...

The Bhagavad-gītā isn’t merely a treatise on ultimate liberation. It is also a treatise on good living. Even the laity, which does not have its eye on mokṣa, can immensely benefit from the Gītā. It has the power to grant an attitude of reverence in worldly life, infuse enthusiasm in the execution of duty, impart fortitude in times of adversity, and offer solace to the heart when riddled by...

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...