Gokhale Institute of Public Affairs as DVG's Karma Bhoomi

This article is part 27 of 57 in the series Life and Legacy of DVG

beku jīvanayogakoṃdu bahusūkṣmanaya ।
bekoṃdu jāgarūrakate, buddhi samate ॥
tākaneṃdanu yogi, nūkaneṃdanu jagadi ।
ekāki sahavāsi - maṃkutimma ॥ 703 ॥

Happiness in life needs a very fine balance.
It requires utmost caution and tranquility of mind.
Akin to a Yogi, its practitioner will not get attached to anything
Nor will he neither reject anything.
He stands alone while being friends with the entire world – Mankutimma

***

An almost visible line separates DVG’s pre-independence and post-independence public life. After actively cutting himself off from the rough and tumble of political life, DVG devoted himself with the same profound passion and spirited zeal to the more sublime pursuits of philosophy, spirituality, literature, and nationalistic ideals for the rest of his well-lived life.

His devotion to the aforementioned nationalistic ideals took the concrete shape of the Gokhale Institute of Public Affairs (GIPA), which was founded in his home at Nagasandra Road[1] on 18 February 1945. Public response to this new institution was immediate and an overwhelming success. Congratulatory letters and messages and personal visits poured in from both within and outside Karnataka from such eminent people as Gopalaswamy Ayyangar, Sir Mirza M. Ismail, B.P. Wadia, V. Sitaramaiah, K.S. Krishna Iyer, S.G. Sastri, and Nittur Srinivasa Rao.

GIPA was the structural realization of DVG’s three-decade-long penance. Its impulse had germinated in his mind as early as 1915 and he began work on its draft charter 1930. It had the blessings of Sir Puttanna Chetty. However, for various reasons, DVG was unable to raise the funds to begin it. On 30 January 1932, DVG completed the aforementioned draft but expressed[2] self-doubt:

Finished draft scheme of G.I.P.A. As I finish it I am stricken with fear and doubt…Will I be able to bring it into material existence? Can I trust myself to remain steady at it? I have been such a waverer all my life…a bee-like skipper from ideal to ideal.

History is testimony to the fact that he did bring it into existence thirteen years later. Here is how DVG summarizes[3] its entire charter and work:

The Institute is to be looked upon as a laboratory for the analysis and assessment of opinion and policy rather than a factory to produce original contributions to thought and learning or as a platform for propaganda or agitation, or as a mission of philanthropy…It does not aim at supplanting any political party or movement…this Institute would rather leave those other forms of services to other agencies…so that it could give its undivided attention to the particular field of service which it has chosen for itself – namely to be a study-room for intelligent citizenship, an exchange house of thought…for men and women of public spirit and an unofficial secretariat for all good and worthy popular causes.

For an entire year, GIPA functioned from his home even as he put in tireless work at fund-raising and scouting for a building for this infant institution. The goodwill, affection and friendship that he had earned on the dint of his own merit, integrity and selflessness brought him widespread support. Sri Pamadi Subbrama Shetty, one of the fabulously wealthy businessmen in Bangalore was also a highly simple and devout man who gave liberally to all Dharmic causes. Accordingly, he offered one of his homes[4] in Basavanagudi. GIPA officially moved to this location on 1 July 1946. Its first ever meeting was addressed by Hrudyanath Kunzru, the then president of the Servants of India Society.

In October, GIPA began its maiden study circle with the rather apt selection of Plato’s classic, Republic. It was guided by Sri S. Raghavacharya and continued for an entire month. Indeed, the study circle was among the defining themes of GIPA for the next three decades. Like fine honey, over time, it attracted hordes of people from all walks and stations of life: students, working professionals, teachers, lecturers, principals, journalists, scientists, doctors, and businessmen. In keeping with its spirit, there was no age or gender bar. The GIPA study circle was conducted every Sunday morning. About twenty people would come together and study and discuss a preselected English and Sanskrit work each. John Stuart Mill, Kalidasa, Shakespeare, works of Vedanta, and numerous classics of Sanskrit, English and Kannada were devoured with relish. Perhaps the most celebrated study circle was the series of lectures on the Bhagavad Gita led by DVG himself. They were eventually compiled, thoroughly revised, vastly expanded, and published as śrīmad bhāgavadgītātātparya or jīvanadharmayoga in Kannada. It remains an enduring classic till date, garnering several reprints and has a dedicated following among the Kannada people across the globe.

From such modest beginnings, GIPA continued to grow into the awe-inspiring cultural treasure that it since became. On 15 August 1948, Sri B.P. Wadia inaugurated its sparkling new library, freely accessible by public. The GIPA library is still one of the best in the country housing extremely valuable, rare, and priceless books, pamphlets, monographs, magazines, and boasts of an enviable archive of Sanskrit, Kannada, Telugu, Hindi and English works. The finest books on every conceivable subject are available: Vedas, literary classics, drama, art, sculpture, history, politics, philosophy, Dharmashastra, economics, law, geography, biographies, research journals, newspaper archives, periodicals, Constitutions of various countries, Lok Sabha and Rajya Sabha and Karnataka Assembly proceedings…the sweep and gamut is truly stunning. The GIPA library is an invitation to lifelong learning in its truest sense. On another plane, it has that scarce and exquisite ambience that radiates and beckons us to acquire knowledge in its serene environs. As a crowning glory, DVG donated his personal book collection to the GIPA library.  

The impulse and vision behind creating such a brilliant library was again rooted in DVG’s foresight that any member of the public who wished to examine, study, speak, or write about public and national issues would have a one-stop resource at GIPA.

The next milestone arrived on 25 April 1950 when the Karnataka Government donated land to GIPA. The finished building was inaugurated on 28 June 1956. Donations for its construction flowed in quite liberally from both individuals and institutions. The current building of GIPA stands on this site.    

The other core area of GIPA’s activity was hosting regular lectures by luminaries from different spheres. Thus, in a short time, GIPA was transformed into a vibrant cultural hub that witnessed erudite, scholarly and refined lectures on literature, Vedanta, Bhagavad Gita, jurisprudence, science, economics, music, art, and important contemporary issues. To mention the forgivable fault of a personal account, I still find enormous delight tinged with a bit of nostalgic melancholy when I listen to superb, moving, and inspiring anecdotes surrounding these lectures in the voice of Dr. S.R. Ramaswamy, the last direct disciple of DVG. It is today hard to believe that GIPA in those days would be thronged by hundreds of people who devotedly came to listen to these lectures.

The ranks of admirers, donors, volunteers and contributors to GIPA grew in proportion to the prestige and quality of these programmes. As a memorial to Rajaji’s birth anniversary, Smt. M.S. Subbulakshmi has left an endowment to GIPA. Indeed, there are numerous occasions when she would visit DVG’s home and sing for him, leaving his eyes moist with tears. GIPA is also witness to her concerts. Similar endowments were given by the Kannada poet, G.P. Rajarathnam, Rao Bahadur Venkateshacharya, Justice Nittoor Srinivasa Rao, and the Dharmasthala Manjunatha Temple. These apart, service-minded and culturally-rooted individuals also sponsor these lectures. Initially, these were held every Saturday evening and DVG never missed a single lecture as long as he was alive. Happily, this tradition continues the blazing path seeded by its founder and over the years, they are conducted every evening. The calendar of lectures is published about six months in advance.

The other major focus of GIPA is publishing its monthly journal, the self-explanatory Public Affairs. It is dedicated to examining various contemporary issues relating to politics, economics, and current affairs. Public Affairs began in January 1949 and boasted of an impressive list of stalwarts who wrote for it including its editor DVG, Arnold Toynbee, Bernard Levin, C.D. Deshmukh, Prof G.S. Dikshit, Gorur Ramaswamy Iyengar, Gulzarilal Nanda, Herbert Spencer, Kuldip Nayar, N. Lakshmana Rao, Lord Hailsham, N. Madhava Rao, Minoo Masani, Masti Venkatesha Iyengar, Mirza Ismail, Nani Palkhivala, Philip Spratt, C. Rajagopalachari, Prof B.R. Shenoy, Prof. Suryanath Kamat, Uma Shankar Joshi, and Sir M. Visvesvaraya. 

True to its motto of “Public life must be spiritualized,” and its declared stance of “no party affiliation,” month after month, Public Affairs mercilessly skewered the misdoings of the political and bureaucratic class, educated its readers on the meaning of democracy, service, and nationalistic spirit, and sounded frequent alarms over lapses, cautioned about the decline of decency in public life, and brought out valuable insights and essays on history, literature and published book reviews. The volumes of Public Life from its inception up to 1982 are truly a collector’s delight.

The Gokhale Institute of Public Affairs as DVG described it indeed lived up to its vision and practice of being an unofficial secretariat for all good and worthy causes. The testimony to its sturdy roots lies in the fact that it continues to thrive as a cultural and public-spirited institution that has few rivals in Bangalore.

Which brings us to a related facet of DVG’s post-independence work and legacy. By making GIPA both his Karma Bhoomi and Jnana Bhoomi, DVG achieved what he wouldn’t have achieved had he remained in active politics: of being a systematic, truthful, and caustic conscience-keeper of independent India’s political and social conscience. That conscience-keeping essentially meant an honest dissection of the Congress Party, whose only claim to political power was based on the half-truth that it had alone brought freedom from British rule.

To be continued

Notes


[1] Since renamed as DVG Road in his honour

[2] Quoted in Virakta Rashtraka: D.R. Venkataramanan, Navakarnataka, Bangalore, 2019, p 219

[3] Quoted in Virakta Rashtraka: D.R. Venkataramanan, Navakarnataka, Bangalore, 2019, pp 218-9. Emphasis added.

[4] This home was located at the Northeast of M.N. Krishna Rao Park.

 

Author(s)

About:

Sandeep Balakrishna is a writer, author, translator, and socio-political-cultural analyst. He is the author of "Tipu Sultan: The Tyrant of Mysore" and "The Madurai Sultanate: A Concise History." He translated Dr. S L Bhyrappa's magnum opus "Avarana" into English.

Prekshaa Publications

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...