The Unalloyed Erudition M. Hiriyanna: Facets of Personality

Apart from writing independent works like the Outlines of Indian Philosophy and Essentials of Indian Philosophy, Hiriyanna edited several difficult Sanskrit books on Vedanta and made them easily accessible to readers by providing explanatory notes. Three such notable works include (1) Vedantasaara[i] (2) Naishkarmya Siddhi[ii] (3) Ishtasiddhi[iii]. Even among these three, Hiriyanna’s preface to Ishtasiddhi (a very technical and difficult work that deals with Khyaativaada) in English is an independent work by itself.

Hiriyanna has also translated the Isha, Kena and Katha Upanishads into English along with the commentary of Shankaracharya.

Hiriyanna’s range, taste and sweep of English literature was no less than that in Sanskrit. Indeed, had he not been a Sanskrit professor, he could’ve as well been an English professor. He displayed great enthusiasm for Shakespeare and Wordsworth among others. In literary discussions, he would quote Wordsworth’s sonnets from memory.

This apart, he studiously read the weekly “Literary Supplement” of the “London Times” and similar authoritative English literary periodicals. He systematically made scrupulous notes of the opinions of noted literary critics and philosophical points made therein. If he read a review of an important work, he would clip that review essay and file it together with the respective work.

Simplicity and Dignity

It’s beyond my capacity to describe the true reaches of Hiriyanna’s scholarship and the dignity of his personality. What was most notable about him was his absolute adherence to meticulousness.

His handwriting was beautiful, in English and Devanagari. Its imprint was clear and natural, and was a delight to read. His corrections to manuscripts were alike: there was nary a strikeout. As were his letters. Well-formed letters. Unostentatious language. His answers to questions were to the point. He would use the sparsest number of words in easily comprehensible sentences to reply to questions on difficult subjects.

In the library at his home, he kept only the most carefully chosen books. Once every year, he would take stock of his entire book collection, examine each book carefully and would give away those he deemed were second and third grade.

His other great quality was neatness. Be it a book, chair or desk, everything had to be tidy. He could normally be found in the front room of his home. These were the items typically present there: a lovely strawmat, a sloped desk, a bench, a small stool, a recliner. Hiriyanna would sit normally sit on the strawmat and do his study and writing on the sloped desk. Behind him, mounted to the wall was a cupboard divided into five or six shelves. It contained copies of his handwritten material in neatly bound files.

He would seat guests on the recliner and would himself sit on the stool, a protocol he never broke throughout his life. If more than one guest arrived, the others would sit on the bench.

Behind this front room was his personal library. That too, was fastidiously tidy. Not a single speck of dust. He would wipe it clean with his own hands.

Punctuality

Hiriyanna’s punctuality is truly praiseworthy. When I visited his home for the first time on a Monday morning at eight, he was waiting by the gate at the appointed time with a pencil and notebook in his hand. When he saw me, he led me to that room, offered me a seat first and sat down only after I did. When I sat down on the strawmat—my preferred seat—he did likewise. Immediately, he began:

“You might want to rethink this usage (you have made) in light of the usage given in X book, Y page, Z line number…”

Pleasantries, greetings and the rest came later. The work on hand took precedence over everything else—this was his system.

There was no scope for small talk with Hiriyanna. It was unnecessary to raise your voice. My voice should be audible to him, not to others.

There was neither ornamentation nor ostentation in Hiriyanna. In dress, speech, and body language, there was no hint of arrogance. His conduct was marked by a high degree of dignified refinement.

Philosophical Inquisitiveness

In philosophy, Hiriyanna placed greater value upon individual experience than bookish scholarship. On occasion, he told me this:

“It has come to my notice that some people have criticised me for omitting the discussion on the Dvaita[iv] school in my Outlines book. I will tell you the real reason. I lack adequate personal experience in this school. I wish to bring its tenets into my personal experience and I’m searching for someone who can guide me in this direction. Of the Dvaita scholars that you know, can you introduce me to someone who can guide me in this regard?”

I gave the names of two or three Dvaita scholars that I knew. I further told him that they were well-regarded in the Dvaita circles and imparted education in Sankhya[v] and Tarka[vi].   

Hiriyanna: “Do they teach from books or from experience?”

I had no response.

Hiriyanna: “I’ve studied some of the topics that can be learnt from books. I want to study under teachers who follow Dvaita traditions, practice its rituals, and experience its philosophy in their soul.”

About five or six months after this conversation, A.R. Krishnasastri told me: “Apparently, there’s a very aged Dvaita scholar. Sri Hiriyanna is studying under him.”

Respect for Traditional Learning

Hiriyanna had immense respect for traditional scholars. “The scholarship of traditional scholars is mere repetition. They lack the modern perspectives that we have. They don’t have a broad outlook.” Hiriyanna had none of this rejectionist approach towards traditional scholars. On the contrary, he would invite traditional scholars with great reverence and have discussions with them. One such scholar who frequented Hiriyanna was the Advaita Vedanta scholar Brahmasri Palaghat Narayana Sastri and Brahmasri Lakshmipuram Srinivasacharya.

Traditional Vedic School. Image Courtesy: Google Image Search

Equally, Hiriyanna had huge respect for ancient seats of learning. Whether it was a Vidvadgoshti (assembly of scholars) at Sringeri or at Kalati[vii] he would award a prize to students who passed scholarly examinations, from his own purse. He sent annual contributions to these ancient seats.

Unadvertised Charity

People would be astonished if they were told that Hiriyanna was generous. I personally know that he is philanthropic. He has helped scores of students. That help came from an attitude of inner joy. Likewise, he offered genuine assistance to endeavours related to Sanskrit literature.

But there was a specialty in this: those who availed of his generosity were bound not to disclose it to anybody. A student I knew was pursuing an M.A. in Sanskrit. Let’s assume his name is Hari. Hiriyanna was secretly giving him a stipend every month. One of his classmates plagued by financial hardship once confided his difficulty to Hari. To which, Hari revealed the fact of the stipend that he was receiving from Hiriyanna and advised him to approach this benefactor. When this student narrated his plight to Hiriyanna, he readily promised help and kept his promise.

Meanwhile, three months’ worth of stipend was due to Hari after which the course would complete. Hiriyanna put this total in an envelope and handed it to Hari. When Hari opened it and saw all that cash, he was surprised.

Hiriyanna said: “I had asked you not to reveal this matter to anybody. You revealed it. It’s fine. With this [amount], I hope I have fulfilled my promise.”

Attainment of Soul-Elevation

Hiriyanna was deeply traditional both in conduct and social transaction. He sported the Vibhooti[viii] on his forehead and did Devatarchana[ix] everyday. But this was not apparent to those who interacted with him superficially. His Vibhooti was for himself, not to dazzle the eyes of the beholder.

His exalted qualities and refinements reflected the true radiance of his soul. There was no trace of ersatz or effort in this. His character is informed by an ancient proverb which he used to repeatedly invoke. Nobility must occur naturally, effortlessly like breathing. This is the true attainment of soul-elevation.

Hiriyanna lost his wife in his middle age. After this, he lived like a Tapasvi, a hermit or renunciate. Equally, B M Srikantaiah became a widower when he was around the same vintage. Once when we sharing a deeply personal conversation, he said, “Hiriyanna’s example gives me a sort of courage and discipline.”

Dislike of Excessive Talk

On occasion, a scholar from Dharwad or Belgaum visited Hiriyanna. As was his protocol, Hiriyanna offered him his recliner. The moment he took his seat, the scholar handed a book that he’d recently written and began speaking about it.

For about half an hour, he embarked on a nonstop litany that covered such things as the labour he put in to write it, the merit of his scholarship, the books he referred, the arguments made therein, his own critiques of those arguments, the quotations he made, and the source of those quotations…He went quiet for a couple of moments after this litany concluded. Hiriyanna remained quiet, too.

The visiting scholar then stood up. Hiriyanna returned his book. The scholar took it. With a smile, Hiriyanna folded his hands and said Namaste.

This is the exact reflection of his nature. He was unimpressed by excessive talk.    

To be concluded.

Footnotes

[i] Authored by Sadananda

[ii] Authored by Sureshwaracharya, the direct disciple of Adi Shankara

[iii] Authored by Vimuktatman

[iv] A system of philosophy founded by Madhvacharya. The other two include Advaita and Vishishtadvaita.

[v] Sankhya or Samkhya is an enumerationist philosophy, whose epistemology accepts three or six pramanas (or proofs) as the only reliable means for gaining knowledge.

[vi] Tarka can be loosely translated as the science of dialectics, logic and reasoning.

[vii] Birthplace of Adi Shankara

[viii] Sacred ash applied on the forehead in three horizontal lines parallel to one another

[ix] Devatarchana approximates to “puja.”

 

Comments

Author(s)

About:

Devanahalli Venkataramanayya Gundappa (1887-1975) was a great visionary and polymath. He was a journalist, poet, art connoisseur, philosopher, political analyst, institution builder, social commentator, social worker, and activist.

Translator(s)

About:

Sandeep Balakrishna is a writer, author, translator, and socio-political-cultural analyst. He is the author of "Tipu Sultan: The Tyrant of Mysore" and "The Madurai Sultanate: A Concise History." He translated Dr. S L Bhyrappa's magnum opus "Avarana" into English.

Prekshaa Publications

Karnataka’s celebrated polymath, D V Gundappa brings together in the eighth volume of reminiscences character sketches of his ancestors teachers, friends, etc. and portrayal of rural life. These remarkable individuals hailing from different parts of South India are from the early part of the twentieth century. Written in Kannada in the 1970s, these memoirs go beyond personal memories and offer...

Karnataka’s celebrated polymath, D V Gundappa brings together in the seventh volume of reminiscences character sketches of prominent scholars, businessmen, hoteliers, as well as of the laity. These remarkable individuals hailing from different parts of South India are from the early part of the twentieth century. Written in Kannada in the 1970s, these memoirs go beyond personal memories and...

Poets on Poetics: Literary Aesthetics Envisioned by Sanskrit Poets uncovers the tenets of literary theory conceptualized by masters from Bharata to Jagannātha that are embedded in the works of poets from Vālmīki to Nīlakaṇṭha-dīkṣita. Poets typically present their insights in the form of suggestive verses and rarely as an organized body of facts. Their exposition, inchoate though it might seem...

India is a land of stories. It is a fountainhead of various story-telling traditions of Greater India, Asia, and Europe. The now lost Bṛhat-kathā of Guṇāḍhya was an inexhaustible treasure-trove of stories that influenced generations of listeners. Somadeva’s Kathā-sarit-sāgara is a twelfth century Sanskrit retelling of this grand compendium. To read this work is to understand the heart of the...

Among the many contributions of ancient Indians to world thought, perhaps the most insightful is the realisation that ānanda (Bliss) is the ultimate goal of human existence. Since time immemorial, India has been a land steeped in contemplation about the nature of humans and the universe. The great ṛṣis (seers) and ṛṣikās (seeresses) embarked on critical analysis of subjective experience and...

One of the two great epics of India and arguably the most popular epic in the world, the Ramayana has enchanted generations of people not just in Greater India but the world over. In less than three hundred pages The Essential Ramayana captures all the poetic subtleties and noble values of the original and offers the great epic in an eminently readable form that will appeal to the learned and...

The Bhagavad-gītā isn’t merely a treatise on ultimate liberation. It is also a treatise on good living. Even the laity, which does not have its eye on mokṣa, can immensely benefit from the Gītā. It has the power to grant an attitude of reverence in worldly life, infuse enthusiasm in the execution of duty, impart fortitude in times of adversity, and offer solace to the heart when riddled by...

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...