Sister Nivedita’s Life and Works: A Study in Context

This article is part 1 of 2 in the series Sister Nivedita

Countless patriots endeavoured in numerous ways to magnify the resplendence of Indian history in the past two centuries. Among them are individuals who strove to achieve independence by means of gentle persuasion and direct antagonization of the Imperial establishment, people who ceaselessly popularized India’s uniqueness and the singularity of her multi-dimensional achievements, persons who worked with a single-minded zeal to uproot every distortion afoot in the Indian soil caused by alien narratives, and people who projected India’s lofty image on the global screen. The saga of Indian independence is essentially a collection of life-sketches of these luminaries. Were Indians not to achieve unparalleled excellence in diverse walks of life over the centuries, foreigners would perhaps never invade our country. But our people attained distinction in every worthy aspect of life — from philosophical enquiry to social reform, from examining metaphysical tenets to enumerating scientific ideas, from exploring every nook and corner of the emotional universe to harnessing economic schemes profitably, from agricultural innovation to foreign trade. Ants gather around a sweet dish; this is the law of Nature. Indians achieved serene happiness by the sheer force of their competence, fighting natural challenges and repelling invasive forces. A frequently rehashed naïve opinion attributes India’s subjugation to her contemplative nature.            

Transformation

The midportion of the nineteenth century is one of the most brilliant epochs of recent history. The first war of Indian independence that transpired during this period is rightly considered historic. A chain of inspiring events set in motion an aggressive transformation, upon which it is worthy to contemplate. Foreign rule had by then sucked the vitality of our people, both internally and externally. Voices of fierce opposition were rare. Alongside this stood a host of other factors. Prominent among them were modernization and technological upsurge that the foreign rule represented. The allure of these modern notions had created a sort of neutral attitude in understanding the exact nature and repercussions of the said development. People in the ‘higher echelons’ of society embraced modernity because western education and technological progress ensured affluent living. Their stand was but natural; it was also hollow and immature. People who spoke of the ill-consequences of these epochal trends, drawing attention to the civilizational corrosion that is likely to follow, were immediately branded anti-progressive.

Amidst this pandemonium a few people exercised their intellects sagaciously. They thought on the following lines: Ours is an ancient country; it was once the most prosperous and learned among all nations. How did it fall into the trap set out by a handful of foreigners?

It was impossible to impress upon common people the value of independence without subjecting their mind-set to immediate, positive transformation.

Efforts were being made to reinvigorate Indian society as early as the beginning of the eighteenth century. The quantum of change was minimal, owing to the ubiquitous influence of British oppression. A few people imbued with indomitable courage and far-reaching vision made sporadic attempts to transform society. The situation demanded swimming against the tide. Britishers had a huge mass of military personnel at their disposal, and they systematically worked towards dismantling local social structures. Facing them head-on required extraordinary bravery. Although social awakening was tiresomely slow, efforts that heralded the eventual pan-Indian pro-freedom movement were taking shape. Sixty to seventy years elapsed in this state.

Around mid-nineteenth century, a significant change came over the mind-set of Indian citizens. A cardinal feature was the crystallization of the following idea: the aim of our society should be to achieve Swaraj and not merely good governance (accepting for the sake of argument that good governance would indeed ensue). The process of securing independence was to be multi-pronged, based on the realization that a mere shift in the scheme of governance does not equate to freedom from the foreign yoke. People began to understand that freedom, as an indivisible entity, entails not just availing political discounts, but revitalizing the cultural and philosophical grandeur that had lost its original sparkle because of foreign invasions. They were of the firm opinion that freedom should reflect in all dimensions of life — mainly culture — bringing in its wake an awakening of identity achieved through recalling the glory of our hallowed heritage. This required accepting Kṣātra (exalted valour) as an unerasable part of our civilization and rescuing it from the unlit corners of disrepute to which it had been relegated in recent times.

Sister Nivedita (28.10.1867–13.10.1911) eminently responded to these challenges of time. She came to India as Swami Vivekananda’s disciple, developed oneness with our cultural ethos, immersed herself in a variety of activities related to public life, and endeavoured to bolster social dynamism and further the cause of the Swadeshi movement.    

Explosion of Vigour

By the end of the nineteenth century, efforts were beginning to take shape in assimilating native ethos, responding to invasive foreign forces powerfully, and sharpening political discourse. There was a dire need for a large-scale social activation that could challenge the British establishment, drive away pusillanimity, and invest energy into public life. Lokmanya Tilak gave a vigorous start to this process. However, there were several challenges to be reckoned with such as his imprisonment and banishment from society, because the mainstream political leaders of the day were mostly timid. A stark shift in this configuration came about after Lord Curzon’s infamous decision to partition Bengal. Sister Nivedita’s influence came to the forefront in this environment.   

Two unique features characterize Sister Nivedita’s manifold achievements:

  1. She immersed herself in all activities required to resurrect the Hindu society at the time, and reaped brilliant results in all fields.
  2. She conceptualized Aggressive Hinduism that philosophically underpinned the nationalistic movement.          

To this day, we reverentially remember Sister Nivedita as the promulgator of a philosophy that gave a new direction to Swadeshi ideology and the freedom movement.

The consequences of Sister Nivedita’s philosophy proved to be extraordinarily diverse. Along with rejuvenating the process of freedom acquisition — which is now an established fact — it transformed many aspects of national life such as education, study of history and mythology, application of Swadeshi principles in art and literature, propagation of scientific thought founded on native ideals, and formation of intellectually sound, conscientious social workers who could tackle the extant ways and codes of British rule. Sister Nivedita inaugurated avenues to carry out countless national and spiritual missions that Swami Vivekananda envisaged. Eleven decades have passed since her passing. Even so, the cardinal points of her advocacy — viz., adoption of indigenous ideas in education and embracing Indian ideals of art and literature — remain central to the discourse of national development.

Indian natives were a tad unappreciative of Margaret Noble in the early days of her arrival. Swami Vivekananda made no response to this. He knew full well that India had a long way to go in enriching herself. Among the numerous gifts Swamiji possessed, a sound understanding of the Indian pulse stands out. When a string of influential people came forward to supply adequate monetary support to his initiatives, he gently declined their offer. It was imperative for his chosen mission to progress in a slow place. The Swamiji was keenly alive to this fact.

Brahmo Samaj exerted a great influence on the people of eastern India during the last portion of the nineteenth century. While it propounded a pursuit of Brahman alone, the school of thought advocated by Sri Ramakrishna and Swami Vivekananda worked at different levels to revitalize all facets of Hinduism. Naturally, reconciliation between these was difficult. Uninformed adherents of Brahmo Samaj considered Swamiji as their opponent and went as far as to hurl unfound allegations at him. By 1890, Brahmo Samaj had become a crumbling institution. However, it played an important role in protecting Hindu culture from relentless foreign onslaughts. (This observation also holds good as far as Divya Jnana Samaj and such organizations are concerned.)

The Tagore family was closely associated with Brahmo Samaj right from the days of its inception. Perhaps prompted by this, Devendranath Tagore and Rabindranath Tagore were lukewarm in their response to Swami Vivekananda’s activities. Sister Nivedita played a pivotal role in bringing together Swami Vivekananda and the Tagore family.

Prologue to a New Era

Swami Vivekananda sculpted the awe-inspiring idol that is Sister Nivedita. In later years, she became his foremost intellectual successor and inimitably expounded on his vision for India’s development. She proclaimed: “Swami Vivekananda is my dharma, my patriotism.”

The Swamiji’s plan of activities extended far beyond the scope of religious reform. On one occasion he remarked: “My mission is not Ramakrishna’s nor Vedanta’s nor anything, but simply to bring manhood to my people.”

Sister Nivedita subscribed to this view through and through and calibrated her life to suit this purpose. Since Swami Vivekananda reiterated the above on multiple occasions, it cannot be blithely brushed aside as an occasion-driven remark. One of his popular proclamations is in order:

For the next fifty years this alone shall be our keynote — this, our great Mother India. Let all other vain gods disappear for the time from our minds. This is the only god that is awake … When we have worshipped this, we shall be able to worship all other gods.

This one teaching of Swami Vivekananda resonated with every cell of Sister Nivedita’s being. To meet this objective, she made an ultimate, irrevocable sacrifice.

The Swamiji made every effort to ensure his pronouncement is not misconstrued as a new system of reformation. Sister Nivedita considered the dissemination of the Swamiji’s twofold scheme of thought as her life-mission: resuscitation of Upanishadic philosophy, activation and remodulation of society based on the same. 

Oneness with India

Sister Nivedita was born in a family of revolutionaries — John Noble, her grandfather, Samuel Richmond, her father, and Hamilton, her uncle were all active participants in the Irish freedom struggle. Because of this background, she readily acknowledged India’s eagerness to receive freedom, although she found it difficult to cognize our country in the initial days of her arrival. Her regard for India increased by leaps and bounds after she came under the influence of Swami Vivekananda. In the latter half of 1898, she travelled across the Himalayas along with Swamiji and delivered several speeches against the Imperial government.

Swami Vivekananda had rightly recognized that achieving freedom is but a single aspect of India’s awakening. According to him, the primary aim of this renaissance was to secure for India her long-lost, exalted position of Vishwa-guru. Sister Nivedita propagated this message through her inspiring eloquence and manifold activities.

Many of Nivedita’s sayings are weighty and revealing. A sample suffices to illustrate: “Let us serve Mother India instead of supplicating unseen deities.” (paraphrased)

One is wonderstruck at the brilliance of her thought and action. Two reasons account for it: (1) she had developed a keen acumen and sensitivity by constant contemplation, (2) she had the unique opportunity of interacting with Swami Vivekananda directly and listening to several of his speeches live.

If we acquaint ourselves with a subject by indirect means, it is likely to remain as raw information within us. Direct perception and collaborative thinking help transform this information into a value. Is there not a qualitative difference between looking at a picture of Niagara Falls and marveling at its grandeur by beholding it directly?

As time progressed, Nivedita’s emotional and intellectual outlook turned into an exact reflection of Swami Vivekananda’s stance. The Swamiji had suggested Nivedita to return to her homeland when the general response to her philosophical movement was unenthusiastic. But she was resolute in her devotion to India.    

Rendered distraught by hostile circumstances, several of her followers expressed grave misgivings about her efforts to transform society. She coolly replied:

The captain of a ship is always thinking of his port of destination … The port I am making for is the fulfilment of India’s destiny. That is the course on which my compass is set night and day.

The Swamiji had proclaimed:

India I loved before I came away. Now the very dust of India has become holy to me, the very air is now to me holy; it is now the holy land, the place of pilgrimage, the Tirtha.

Sister Nivedita accepted Swamiji’s unalloyed devotion as her own and worked ceaselessly to realize it in practice.

Spiritual Initiation

Swami Vivekananda himself proclaimed that he bestowed upon Nivedita every ounce of his accumulated energy. On 25.3.1898, he initiated her to asceticism and accorded the title ‘Nivedita,’ ‘the devoted one.’ This was as befitting as it was natural. 

Swamiji transformed Margaret Noble into Nivedita merely two months after her arrival in India. He had by then taken stock of her inner strength and was eager to employ her abilities practically. Sister Nivedita inimitably lived up to his expectations. Standing at the threshold of youth at the time of entering India, she did not lose heart at the imperativeness of learning everything anew. In the very first meeting of her meeting Sarada Devi, the Mother exclaimed, “My daughter, I am delighted to see you.” Could anything be more gratifying? Sarada Devi’s addressing this stranger as “daughter” generated ripples among the inner circles.

Margaret Noble indeed had the blessings of Swami Vivekananda. The Swamiji, however, was not overtly partial to her in the days of training. He intended her to become one with everyone, without ever feeling special. Nivedita has herself documented her experience in entering the Swamiji’s sphere of influence:

It seems as if going to school had commenced; and just as schooling is often disagreeable to the taught, so here, though it caused infinite pain, the blindness of a half-view must be done away with. A mind must be brought to change its centre of gravity. It was never more than this; never the dictating of opinion or creed … He had revealed a different standpoint in thought and feeling, so completely and strongly as to make it impossible for me to rest, until later, by my own labours, I had arrived at a view in which both these partial presentments stood rationalized and accounted for … But at the time they were a veritable lion in the path, and remained so until I had grasped the folly of allowing anything whatever to obscure to me the personality that was here revealing itself.

[The author wrote this as an introductory essay to his book on Sister Nivedita titled Agnipathike Nivedita in Kannada.]

To be continued.

   Next>>

Author(s)

About:

Nadoja Dr. S R Ramaswamy is a renowned journalist, writer, art critic, environmentalist, and social activist. He has authored over fifty books and thousands of articles. He was a close associate of stalwarts like D. V. Gundappa, Rallapalli Anantakrishna Sharma, V Sitaramaiah, and others. He is currently the honorary Editor-in-Chief of Utthana and served as the Honorary Secretary of the Gokhale Institute of Public Affairs for many years.

Translator(s)

About:

Shashi Kiran B N holds a bachelor’s degree in Mechanical Engineering and a master's degree in Sanskrit. His interests include Indian aesthetics, Hindu scriptures, Sanskrit and Kannada literature and philosophy.

Prekshaa Publications

Karnataka’s celebrated polymath, D V Gundappa brings together in the eighth volume of reminiscences character sketches of his ancestors teachers, friends, etc. and portrayal of rural life. These remarkable individuals hailing from different parts of South India are from the early part of the twentieth century. Written in Kannada in the 1970s, these memoirs go beyond personal memories and offer...

Karnataka’s celebrated polymath, D V Gundappa brings together in the seventh volume of reminiscences character sketches of prominent scholars, businessmen, hoteliers, as well as of the laity. These remarkable individuals hailing from different parts of South India are from the early part of the twentieth century. Written in Kannada in the 1970s, these memoirs go beyond personal memories and...

Poets on Poetics: Literary Aesthetics Envisioned by Sanskrit Poets uncovers the tenets of literary theory conceptualized by masters from Bharata to Jagannātha that are embedded in the works of poets from Vālmīki to Nīlakaṇṭha-dīkṣita. Poets typically present their insights in the form of suggestive verses and rarely as an organized body of facts. Their exposition, inchoate though it might seem...

India is a land of stories. It is a fountainhead of various story-telling traditions of Greater India, Asia, and Europe. The now lost Bṛhat-kathā of Guṇāḍhya was an inexhaustible treasure-trove of stories that influenced generations of listeners. Somadeva’s Kathā-sarit-sāgara is a twelfth century Sanskrit retelling of this grand compendium. To read this work is to understand the heart of the...

Among the many contributions of ancient Indians to world thought, perhaps the most insightful is the realisation that ānanda (Bliss) is the ultimate goal of human existence. Since time immemorial, India has been a land steeped in contemplation about the nature of humans and the universe. The great ṛṣis (seers) and ṛṣikās (seeresses) embarked on critical analysis of subjective experience and...

One of the two great epics of India and arguably the most popular epic in the world, the Ramayana has enchanted generations of people not just in Greater India but the world over. In less than three hundred pages The Essential Ramayana captures all the poetic subtleties and noble values of the original and offers the great epic in an eminently readable form that will appeal to the learned and...

The Bhagavad-gītā isn’t merely a treatise on ultimate liberation. It is also a treatise on good living. Even the laity, which does not have its eye on mokṣa, can immensely benefit from the Gītā. It has the power to grant an attitude of reverence in worldly life, infuse enthusiasm in the execution of duty, impart fortitude in times of adversity, and offer solace to the heart when riddled by...

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...