Timeless Romance of the Gāhā-Satta-Saī – Part 2

One has to really admire the cleverness of some of these two-timing women. One of them turned in a fine performance of bawling after having, apparently, been stung by a scorpion. Her friends, ever too eager to help, carried her away right in front of her artless husband – evidently to get her the much-needed medical assistance. No prizes here for guessing that it was in fact to her lover’s secret nest that she was really transported to. Now this next one has brought her lover to her home and has in fact introduced him to her husband as a kinsman from her hometown! Then we have another lady who has beguiled her husband by presenting her paramour as a destitute stranger. She has even talked her husband into offering the conniver refuge under his own roof! Another adulteress has trained her dog to bark when her husband comes home and wag its tail faithfully at her boyfriend instead! Then we see this next one who is restive about protecting her covert amorous adventures in a village where pretty much no one has any qualms about making public others’ private pursuits. Next we see another one making an inviting appeal to a passer-by thus: “Our dog has died. My mother-in-law has become deranged and my husband also is out of town. As if that’s not enough, a rogue bull has gone on a rampage in our grove. Please won’t you come to my rescue?” There’s another one who hasn’t been discouraged by the simple fact that the man she is after has already fallen for a better specimen. She has approached him with a straightforward question: “This other girl you love may be beautiful; virtuous even. I am neither. Must that mean that women unlike her don’t deserve a chance to live?”

Poor thing! Here, a husband has called his wife by a different name, on the occasion of the festival of the ferocious grāma-devatā (town goddess). The garland in her hand has become like that which is put around the neck of the sacrificial animal!

There is no feeling more melancholic or beyond comprehension than separation from one’s beloved – this is the eternal universal experience of all lovers. Let us see how these village couples bear with separation from each other. A lover who is separated from his beloved appeals to the moon: “Hey Ocean of Elixir! Ornament of the night! Those rays of yours that have caressed my beloved, make those very same rays touch me. I shall find solace thinking that it is my beloved’s touch.” Elsewhere, another lover separated from her beau is daydreaming: My lover will come, then I will get angry with him, and he will pamper me in all earnestness. All these anticipations find fruition only in the cases of the utterly fortunate! There’s a woman who has a different sort of sorrow. She has been married off to someone she doesn’t like. She is doubly troubled – she cannot see the man she loves and she has to see the one she doesn’t love; the bonds of family and society don’t permit her to walk away from the marriage! Where’s the solution to this? A man has set out on a voyage. It is considered a bad omen if one sees a deer on the right side; it would prevent him from commencing the journey. Now, if his beautiful doe-eyed lover is looking to the right, how could the man ever think of going forward? Elsewhere, a distraught couple has had a love-quarrel and they are sleeping on the same bed with their faces turned away from each other. False sleep, heated anger, protracted silence – all these have raised their ugly heads. Of the two, whose mind is more reserved and whose is more rigid – who truly knows? A woman separated from her beloved recalls the beautiful moments she has spent with him; when he is not in front of her, those memories are akin to a death knell to her trembling heart. Elsewhere, a girl who is separated from her lover is joyful that she is withering away in the thoughts of her beloved and is elated that she has been entranced in his thoughts! Ah, look here at this young, intelligent bride! She knows that her husband has to set out on a voyage the next morning and in all anxiety she pleads, “O Goddess of the Night! May you never end!” Another woman, upon realizing that her husband is setting out on a journey, dreads the thought of being alone in her home and goes around the town seeking advice from all those women who have had the misfortune of being separated from their husbands. Once the heart is broken, to try and rekindle love is akin to sticking together pieces of a broken mirror. Such is the experience of a certain woman: when the love-creeper has faded due to the anger-heat, however much one tries to revive it, it is tasteless like water that is boiled and cooled! See the fate of yet another passionate woman: when her husband would take a step back so that he could embrace her once again, she would get anxious, thinking of herself as a woman whose husband has gone away on a distant journey! Another woman was aloof towards her husband, getting angry without reason and staying away from him; therefore her husband behaved as if he was on a journey although living at home!

A young man loves his wife dearly but she has turned away from him; this pain has withered him. Upon regarding the faded visage of this young man, his connoisseur-friend asks him the reason for his melancholy. He says, “O friend! I will give you an answer after you too have a beautiful girlfriend with a mercurial temperament.”

Image courtesy:- Google image search

 

In those days, in that environment, the women whose husbands went on a voyage would keep count of the number of days that have passed since their lovers have departed; it was their practice to keep count by making a mark on the limestone walls using a piece of coal at the end of every day. Poor things! Where will they get hold of a calendar or an almanac? When one such woman whose husband is away on a journey is eagerly awaiting his return, keeping a tab of the number of days that have passed since his departure, should it rain cats and dogs? When this heavy downpour fell on their poor hut with a porous roof, far from securing any of the household items, she tries to protect with her palms the wall that has the coal markings, lest they get washed away! There’s another woman whose husband sets out on a voyage; within moments she feels that ages have passed and she makes marks on all the walls of the house with coal-pieces! The husband of a love-struck wife hasn’t returned even after the stipulated duration. If the damsel learns about this, it would lead to grave danger: thinking thus, her friends begin to secretly erase a few of those coal marks on the wall. Elsewhere, a woman whose husband is travelling tries to invite good omens by keeping rice balls for the crows every day. Her body has withered from all these days of separation and her heavy bracelet has slipped from her wrists and fallen exactly around the rice ball, almost like a snare. The crows, upon seeing this, have become afraid and are keeping away from the rice ball. And as for her, she is worried to death! Yet another woman who is awaiting her husband’s return sees the rainwater leaking from the roof and to protect her baby from it, she picks it up and keeps it close to her chest; but she fails to realize that the baby continues to be wet, due to the downpour of tears from her eyes.

A woman whose lover is away lights the lamps in the evening but turns her neck away from the flame, worried that her teardrops will douse the lamp, which is a bad omen! This farmer boy, unable to bear the pangs of separation, has become bed-ridden. The moment he saw his beloved’s friend approach him, he immediately gulped down bitter medicine and smiled a little. Now listen to the troubles of a woman separated from her beloved: Fortunate are those women who see their husbands in their dreams. Ever since her husband has gone on a journey, she has been separated from sleep too! Another woman separated from her beloved has a short tempered mother-in-law. Even so, when her daughter-in-law bows down to her, upon seeing the girl’s bangles slip from the wrist, fall down, and break, she sheds tears. In sum, here is the gist: The Mandara mountain-like Separation churns the Milk-ocean-like Heart and begets the Precious Gems of Satisfaction; but for the lovers in separation, all they have is the Poison.[1] So be it, enough of the sorrows of separation; now let us turn towards the joy of union and savour the sweetness that arises from it.

The husband of a newly-married shy maiden is lying on the marriage bed, feigning sleep. Without reticence she plants a kiss on his beautiful red lips only to realize the truth when she sees the horripilation of the hairs on his cheeks; she shrinks in bashfulness. There’s another young man who’s extremely surprised – his newly-married wife, who gives a thousand orders while they sport on the bed at night, is the epitome of courtesy and devotion during the day! Yet another young man has recently got married. The memories of his former lover haunt him not only when he is away from her but also every time he sees his wife. Further, when he gets intimate with his wife, the memories of his sweetheart flood his being. Now let us see the firmness of a woman whose husband is totally under her control. She says the following prayer to god: “O Divine Being! Make my husband ogle other women and get interested in them. At least then he will learn my greatness.” See the joy in another woman. Separated from her beloved, she was running a fever. Unaware of her secret love for him, her beloved comes to her bedside merely out of sympathy for her. At that she says, “Oh fever! Since the divine hero of my silent love come to my bedside, it’s fine even if you kill me, I won’t be upset!” Here, a secret lover walks exactly over the footprints made by the one she loves; seeing this, the equally secretive lover-hero experiences horripilation. As for the friends of the lovers, all these make good ingredients for humour. A young woman is, for some reason, angry with her husband. But the moment he returns home, all that anger slides away just like the sand that is grasped in a fist! There is a young lad who has taken to bed afflicted by love for a beautiful maiden; he is so deeply tormented by the fever of separation that his wife goes to the maiden as a messenger of his love, begging of her to save his life! Look here, at this damsel’s wordplay! She tells her beloved, “Just out of obligation, you lie beside me and engage in love-sport and that itself gives me unbridled joy. How much more joy those women must be getting to whom you go to with an open-heart and engage in amorous play with genuine enthusiasm?” A strong husband, upon being hit by his wife, immediately takes her hand in his, afraid that she might be hurt, and blows at her palm and gives her solace. Will there be a woman who wouldn’t melt at such a spontaneous expression of love? It goes without saying that she pulls him towards herself, embraces him tightly, and kisses him!

To be concluded.

This is the second part of an English translation of a remarkable Kannada essay by Śatāvadhāni Dr. R Ganesh titled ‘Gāhāsattasaī’ya Amaraśṛṅgāra from his anthology Hāsu-bīsu. The translators would like to express their heartfelt thanks to Dr. Ganesh for his detailed review of the translation. Thanks to G S Raghavendra for his kind review and valuable suggestions.

Footnote

[1] A reference to the famous mythological story of the Amṛtamanthana or ‘The Churning of the Milk-Ocean.’

Author(s)

About:

Dr. Ganesh is a 'shatavadhani' and one of India’s foremost Sanskrit poets and scholars. He writes and lectures extensively on various subjects pertaining to India and Indian cultural heritage. He is a master of the ancient art of avadhana and is credited with reviving the art in Kannada. He is a recipient of the Badarayana-Vyasa Puraskar from the President of India for his contribution to the Sanskrit language.

Translator(s)

About:

Srishan Thirumalai is an Electronics Engineer who holds a senior position in the IT industry. He is passionate about Indian classical music and literature.

About:

Hari is an author, translator, editor, designer, and violinist with a deep interest in philosophy, education pedagogy, literature, and films. He has (co-)written/translated and (co-)edited some forty books, mostly related to Indian culture.

Prekshaa Publications

Karnataka’s celebrated polymath, D V Gundappa brings together in the eighth volume of reminiscences character sketches of his ancestors teachers, friends, etc. and portrayal of rural life. These remarkable individuals hailing from different parts of South India are from the early part of the twentieth century. Written in Kannada in the 1970s, these memoirs go beyond personal memories and offer...

Karnataka’s celebrated polymath, D V Gundappa brings together in the seventh volume of reminiscences character sketches of prominent scholars, businessmen, hoteliers, as well as of the laity. These remarkable individuals hailing from different parts of South India are from the early part of the twentieth century. Written in Kannada in the 1970s, these memoirs go beyond personal memories and...

Poets on Poetics: Literary Aesthetics Envisioned by Sanskrit Poets uncovers the tenets of literary theory conceptualized by masters from Bharata to Jagannātha that are embedded in the works of poets from Vālmīki to Nīlakaṇṭha-dīkṣita. Poets typically present their insights in the form of suggestive verses and rarely as an organized body of facts. Their exposition, inchoate though it might seem...

India is a land of stories. It is a fountainhead of various story-telling traditions of Greater India, Asia, and Europe. The now lost Bṛhat-kathā of Guṇāḍhya was an inexhaustible treasure-trove of stories that influenced generations of listeners. Somadeva’s Kathā-sarit-sāgara is a twelfth century Sanskrit retelling of this grand compendium. To read this work is to understand the heart of the...

Among the many contributions of ancient Indians to world thought, perhaps the most insightful is the realisation that ānanda (Bliss) is the ultimate goal of human existence. Since time immemorial, India has been a land steeped in contemplation about the nature of humans and the universe. The great ṛṣis (seers) and ṛṣikās (seeresses) embarked on critical analysis of subjective experience and...

One of the two great epics of India and arguably the most popular epic in the world, the Ramayana has enchanted generations of people not just in Greater India but the world over. In less than three hundred pages The Essential Ramayana captures all the poetic subtleties and noble values of the original and offers the great epic in an eminently readable form that will appeal to the learned and...

The Bhagavad-gītā isn’t merely a treatise on ultimate liberation. It is also a treatise on good living. Even the laity, which does not have its eye on mokṣa, can immensely benefit from the Gītā. It has the power to grant an attitude of reverence in worldly life, infuse enthusiasm in the execution of duty, impart fortitude in times of adversity, and offer solace to the heart when riddled by...

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...