DVG as the Ideal Legislator: A Legacy of 14 Years as Member of the Mysore Legislative Council

This article is part 20 of 57 in the series Life and Legacy of DVG

A little-known episode in DVG’s life illustrates this renunciate facet innate in him. On 2 June 1927, DVG received an invitation directly from the Mysore Maharaja to which he recorded, “Invitation from the palace. What to do?” Ever the respecter of tradition and custom, DVG visited the palace and met the Wodeyar. On 20 June 1927, his daughter Smt Tunga wrote him a letter: “I felt really happy hearing that you visited the palace. I really wanted to see you wearing the Durbar dress.”

DVG has neither spoken about or left any record of his meeting with the Maharaja of Mysore. This profound silence is also a profound testimony of how DVG regarded such things. To borrow a worn-out cliché, DVG was one of those handful of lotuses that bloom in the sludge of politics and public life. At the risk of speaking the blunt truth bluntly, DVG was several notches higher than even “Right Honourable” V.S. Srinivasa Sastri[1] who for all his erudition, eminence, patriotism and public service, wasn’t particularly courageous in matters that demanded taking a decisive stand.

***

DVG entered the Mysore Legislative Council at a crucial juncture in the history of the Mysore Princely State. The Indian National Congress had all but been monopolized by Mohandas Karamchand Gandhi in British India and was spreading its tentacles across the country at a feverish pace. However, it had no presence in the Mysore State. The only political party here was the aforementioned non-Brahmin Party in its infancy. It would prove to be a short-lived experiment. The nationwide clamour for Responsible Government quite naturally made its voice heard in Mysore as well and DVG was one of its staunchest proponents as we shall see. As a journalist deeply involved in politics and national life, DVG could not be immune to these currents furiously swirling outside Mysore. As a perceptive commentator, DVG realized that it was only a matter of time before these currents would flood Mysore as well. With great foresight, DVG anticipated the numerous problems and sudden turmoil that such a flood would cause and tirelessly wrote about them.

Although the Mysore Legislative Council had its own importance, it was largely a toothless body in the sense that its decisions could be overruled by the King or the Resident on a mere whim. Despite this overarching constraint, the sort of spirited and highly knowledgeable debates that DVG conducted in the Council is truly astonishing. Indeed, if an independent volume[2] comprising all of DVG’s speeches and debates in the Council is compiled, it will make for a brilliant education for all aspiring and serving lawmakers both in our assemblies and the Parliament.

In no particular order, here is a small list of the subjects on which DVG debated: freedom of speech, legislative motions and rules, economy, prostitution, reservations, communal harmony, press censorship, untouchability, Hindu temples, child marriage, widow remarriage, and public security. Neither can these be merely classified as legislative debates in the sense it is commonly understood. They were virtuoso performances suffused with erudition, eloquence, scholarship, wit, courage, and moral authority.

Extent of Free Speech

In 1929, the leader of the House Proceedings, a Minister named K. Mathan raised an objection regarding Rules. He had a rather self-righteous bias against nominated members of the Council. Accordingly, he sought to impose limits to the matters such members could discuss. Thus, if a nominated member was a recognized expert on say economics, law, education, or reservations, he could debate only these topics, nothing else. If the member did venture to opine on other topics even on justified grounds and armed with solid knowledge and sound reasoning, it was seen as a violation of House Rules. DVG was inflamed when he heard this. In a debate[3] on 28 June 1929, he retorted:

I must very strongly protest against the implied censure. I think that Government has nominated me not to represent the Government but to represent the public and I represent the public according to my light. I interpret the Rules according to my understanding and not according to Government’s understanding.

The minister Mathan never spoke about House Rules after this. However, this did not end here. It resurfaced in another form five years later. By then, the Indian National Congress had already made impressive inroads into Mysore and the turmoil DVG had anticipated was unfolding on a daily basis. His earlier cautions had gone unheeded but DVG persevered. In May-June 1936 just before the House convened, DVG sent two matters for consideration:

  1. A committee had to be urgently set up to discuss political reforms
  2. Another committee to discuss and debate the problems of integrating the 500-plus Princely States into Indian Union after the British left

Needless, both topics were inextricably linked. The Diwan, Mirza Ismail who was also the President of the Council refused to place these proposals before the House. DVG was unfazed. On 23 June 1934, he wrote a detailed essay discussing his proposals in The Hindu. In response, Mirza Ismail reprimanded DVG in the House saying that publishing such things in a newspaper constituted a violation of House Rules and gave him no chance to reply. DVG was dogged. Two weeks later, the Prajamata magazine (then based out of Madras) published a Special Supplement[4], a dedicated long-form rebuttal by DVG. The entire essay[5] is worth its weight in gold. Only a representative sample is provided below.

It is…reassuring to see the analogy of the British Parliament commended…after the requiem on Parliamentary democracy…from the lips of Sir Mirza Ismail just two weeks ago. If he would establish Parliamentary institutions and traditions in this country…we have no quarrel at all. That he is not doing is our…grievance…

In writing my article in ‘The Hindu’, my purpose was to show the limitations of the existing Constitution in Mysore…Sir Mirza desires not only that we should remain gagged on the floor of the House, but that we should remain gagged even outside as to what we suffer inside. He does not admit that the general public of the country is a higher tribunal than the Legislature which it creates. My position is different. I think that the public…which elects the legislature is a higher authority than the Legislature; and that if the representatives of the public are under any…handicaps they have not only the right but also the duty of reporting their difficult position to the people who elects them.

Needless, such occurrences were not infrequent and caused some tension in the relationship between DVG and Mirza Ismail. To both their credit, they never allowed bitterness or personal animosity to creep in and till the very end, they remained cordial friends. In a moving reminiscence in his classic Jnapaka Chitrashale, DVG not only praises Mirza Ismail but chides himself in a rather self-deprecatory Kannada term, “nannadu bhanda-jiva” (I am thick-skinned). Indeed, much before he became a Member of the Mysore Legislative Council, DVG had clearly stated his position to Diwan Mirza[6] in a letter:

In the present circumstances of the country, politics is as often a force to divide as to unite; particularly when one of two friends happens to be an official in high authority and the other a non-official worker of the public…In such cases I hold that what, according to one’s right is due to the country is greater and more sacred than what is due to private friendship. Of course, one’s first effort…should be to reconcile the two claims. But when that is found to be impossible, the larger must, alas! be allowed to supercede the smaller…May I regard such rare good fortune as mine?

This quality of honest friendship and genuine affection in political life is in the realm of impossibility today.

An Ideal Legislator

DVG exhibited the same traits of courage and fearlessness in his debates on highly-charged and taboo issues like prostitution and child marriage and widow remarriage. Unlike other members of the Council, he did not nonchalantly dismiss prostitution as an absolute evil but strove to find ways to mitigate it based on precedent, history, social realities, and…statistics. He demanded the Leader of the House for hard facts, census data and verifiable experience before making a law regarding prostitution. These debates are truly eye-opening to say the least. On widow remarriage for example, he led by example. After tragically losing his wife to a fire accident at a relatively young age, DVG was pressurized by his family to remarry. He accepted on one condition: I will remarry only if my widowed sister also remarries. His family let the matter rest there.

It is obviously impossible to do justice to the full, rich, erudite, and wise legislative legacy of DVG spread over fourteen long years in these pages. Even the aforementioned glimpses are merely representative at best and partial at worst. What is undeniable is the fact that he elevated parliamentary democracy to a high and sublime degree that earned him enormous respect even from his opponents in the House. Other members like J. Mohammad Imam, Abbas Khan, D.H. Chandrashekhariah, Rao Saheb Chennayya, Narasinga Rao, Hassan Venkateshayya, M. Ramachandra Rao and Sir Puttanna Chetty poured generous, heartfelt compliments on DVG’s style of debate, his eloquence, wit, constructive criticism and held him as an ideal legislator.

sarvārtha sahabhāgitege rāṣṭra kula varga
sarvadaṇu tānenuttorva manujan
sarvajīva samṛddhiganugūḍi duḍiyutire
parvavaṃdiḻegalavo - maṃkutimma ॥ 882

The goal of founding countries, categories and sects is to help in sharing and caring for one other.
Each person must realize that he is just an atom of the whole.
He must work towards the overall well-being of the whole.
Only then, the world will look beautiful akin to a festival day - Mankutimma

To be continued

Notes


[1] DVG had great regard and affection for V.S. Srinivasa Sastri and has written a detailed profile about him.

[2] In a rare departure from a half century of legislative indolence, the Karnataka Government published a few selections of DVG’s debates in Pratibhavanta Samsadiya Patu: DVG in 2009 in Kannada, a shoddy, unsatisfactory and incomplete work.

[3] D.R. Venkataramanan: Virakta Rashtraka DVG Navakarnataka, Bangalore, 2019, p 121. Emphasis added.

[4] Dated 13 July 1934

[5] D.R. Venkataramanan: Virakta Rashtraka DVG Navakarnataka, Bangalore, 2019, pp 122-3. Emphasis added.

[6] D.R. Venkataramanan: Virakta Rashtraka DVG Navakarnataka, Bangalore, 2019, p 80. Emphasis added.

 

 

Author(s)

About:

Sandeep Balakrishna is a writer, author, translator, and socio-political-cultural analyst. He is the author of "Tipu Sultan: The Tyrant of Mysore" and "The Madurai Sultanate: A Concise History." He translated Dr. S L Bhyrappa's magnum opus "Avarana" into English.

Prekshaa Publications

Among the many contributions of ancient Indians to world thought, perhaps the most insightful is the realisation that ānanda (Bliss) is the ultimate goal of human existence. Since time immemorial, India has been a land steeped in contemplation about the nature of humans and the universe. The great ṛṣis (seers) and ṛṣikās (seeresses) embarked on critical analysis of subjective experience and...

One of the two great epics of India and arguably the most popular epic in the world, the Ramayana has enchanted generations of people not just in Greater India but the world over. In less than three hundred pages The Essential Ramayana captures all the poetic subtleties and noble values of the original and offers the great epic in an eminently readable form that will appeal to the learned and...

The Bhagavad-gītā isn’t merely a treatise on ultimate liberation. It is also a treatise on good living. Even the laity, which does not have its eye on mokṣa, can immensely benefit from the Gītā. It has the power to grant an attitude of reverence in worldly life, infuse enthusiasm in the execution of duty, impart fortitude in times of adversity, and offer solace to the heart when riddled by...

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...