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HomePosts Tagged "vishnu"

vishnu Tag

ಭಗವಂತನು ಮಾನವನ ಸೃಷ್ಟಿಯೋ ಮಾನವನು ಭಗವಂತನ ಸೃಷ್ಟಿಯೋ ಎಂಬ ಚರ್ಚೆ ಚಿರಂತನ. ಆದರೆ, ಇವರಿಬ್ಬರ ನಡುವಣ ಸಂಬಂಧ ಮಾತ್ರ ಇಂಥ ಎಲ್ಲ ಚರ್ಚೆಗಳನ್ನು ಮೀರಿದ ಮಧುರಾನುಭೂತಿ. ಒಂದೊಂದು ಮತದಲ್ಲಿ ಒಂದೊಂದು ಬಗೆಯಾಗಿ ಈ ಸಂಬಂಧವು ಬೆಳೆದಿದೆ. ಆದರೆ ಸನಾತನಧರ್ಮದಲ್ಲಿ ಮಾತ್ರ ಇದು ನಿರುಪಮವಾಗಿ ವಿಸ್ತರಿಸಿಕೊಂಡಿದೆ. ಮಿಕ್ಕ ಮತಗಳಲ್ಲಿ ಭಗವಂತನೊಡನೆ ಭಕ್ತನ ಸಂಬಂಧವು ಪ್ರಧಾನವಾಗಿ ಭಯ-ಕರುಣಮೂಲದ್ದು, ಆರ್ತ-ಅರ್ಥಾರ್ಥಿಸ್ತರದ್ದು. ಹೀಗಾಗಿಯೇ ಇಲ್ಲಿ ಯಾವುದೇ ಸಂಬಂಧದ ಪ್ರಬುದ್ಧಪರಿಣತರೂಪವಾದ ಸ್ನೇಹ-ಸಲುಗೆಗಳೂ ಮಾಧುರ್ಯ-ಮಾರ್ದವಗಳೂ ವಿರಳವಾಗುತ್ತವೆ. ಆದರೆ ಸನಾತನಧರ್ಮದಲ್ಲಿ ಹಾಗಲ್ಲ.

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An emperor as powerful as Pulakeshi II had to face numerous struggles during his last days. His brother “Kubja” [Short] Vishnuvardhana would repeatedly rise in rebellion, Pulakeshi would quell it and forgive him—this seemed to have become the norm. However, what we notice in each such instance is simply Pulakeshi’s

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Pushyamitra Shunga tried to liberate Bharata’s lands under Greek occupation. The Greek invasion that began with Alexander continued till the time of Menander. The same Menander came to be known as Milindara later. Buddhists texts mention his name. The dialogue between Nagasena and Menander is recorded in the Pali (Magadhi)

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Bhīṣma, Yudhiṣṭhira, and Kṛṣṇa have been portrayed as the noble characters in the Mahābhārata. Among these, Yudhiṣṭhira looks upon Kṛṣṇa as an elder brother and a guide to their family; and as for Bhīṣma, he looks at Kṛṣṇa as a devata. Therefore, in the poet’s vision, in the whole of

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Kālidāsa and Other Arts From his works, it is clear that Kālidāsa had extensive knowledge of dance, music and painting. His knowledge of dance can be estimated from his play Mālavikāgnimitram. At the very beginning, he makes his famous remark about the stage. नाट्यं भिन्नरुचेर्जनस्य बहुधाप्येकं समाराधनम् | The stage is a one-stop

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Adhyāyas 4-12. Pauloma-parva The adhyāyas from 4 to 12 form the Pauloma-parva. Just like the anukramaṇikā (prologue), this section starts with a prose passage. रोमहर्षणपुत्र उग्रश्रवाः सूतः पौराणिको नैमिषारण्ये शौनकस्य कुलपतेर्द्वादशवार्षिके सत्रे | (Sūta-paurāṇika Ugraśrava, the son of Romaharṣaṇa during the twelve year long satra conducted by Śaunaka in the Naimiṣāraṇya,

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