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९ ऋत-सत्ययोरर्थभेदस्तैत्तिरीयब्राह्मणस्य वचनेनानेन स्पष्टीभवति। “ऋतं त्वा सत्येन परिषिञ्चामीति नायं परिषिञ्चति। सत्यं त्वर्तेन परिषिञ्चामीति प्रातः। अग्निर्वा ऋतम्। असावादित्यः सत्यम्। अग्निमेव तदादित्येन सायं परिषिञ्चति। अग्निनादित्यं प्रातः सः।” अत्र रजनीदिवसावेकस्यैव कालतत्त्वस्य द्वे मुखे। तावेकाकारेण गृहीत्वा सेवयेदिति तात्पर्यम्। तत्र सायन्तनसवने ध्येयं दैवतमग्निः। अयमेव ऋतस्वरूपी। प्रातःसवने ध्येयं दैवतं त्वादित्यः। अयं तु सत्यस्वरूपी। एवं पावकभास्करौ द्वावपि तेजोमयौ ऋतसत्यसङ्केतौ। किं

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The primary purpose of any work of art is to evoke ‘rasa’, i.e. aesthetic experience in the connoisseur. The experience of rasa is universal and holds true for all times. This is achieved in poetry through verbal expression, by portraying the emotions of characters under various circumstances and also by

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Pushyamitra Shunga tried to liberate Bharata’s lands under Greek occupation. The Greek invasion that began with Alexander continued till the time of Menander. The same Menander came to be known as Milindara later. Buddhists texts mention his name. The dialogue between Nagasena and Menander is recorded in the Pali (Magadhi)

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Many people have pointed out our blind emulation of the English language, culture, and people; this tendency of blindly imitating the west has also been ridiculed. Emulation—which has the basis of understanding—is fine; it is the blind emulation that is unpardonable. Yet the demonic cult has been growing, unstoppable. Particularly in

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